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Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions)

Harman, Chris Paul (2012)
Ph.D. thesis, University of Birmingham.

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Harman12PhD.pdf
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Harman12PhDAfterSchumann.pdf
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Harman12PhDCompleteSchumannScenes.pdf
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Harman12PhDConcertinoCompleteScore.pdf
PDF (342Kb)Supplemental Material
Harman12PhDCoyoteSoulandClosetoYou.pdf
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Harman12PhDDerTagCompleteScore.pdf
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Harman12PhDDoublingScore.pdf
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Harman12PhDGottLebetNoch.pdf
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Harman12PhDSilverThreadsAmongtheGold(2009).pdf
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Abstract

The present document examines eight musical works for various instruments and ensembles, composed between 2007 and 2011. Brief summaries of each work’s program are followed by discussions of instrumentation and orchestration, and analysis of pitch organization. Discussions of instrumentation and orchestration explore the composer’s approach to diversification of instrumental ensembles by the inclusion of non-orchestral instruments, and redefinition of traditional hierarchies among instruments in a standard ensemble or orchestral setting. Analyses of pitch organization detail various ways in which the composer renders diatonic musical lines atonal, or situates diatonic pitch materials in contexts of greater chromaticism.

Type of Work:Ph.D. thesis.
Supervisor(s):Hoyland, Vic
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Department of Music
Subjects:M Music
Institution:University of Birmingham
ID Code:3395
This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder.
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