Items where Subject is "P Language and Literature > PR English literature"

A

Abdullah, Nurul Farhana Low Bt. (1999). Revenge tragedy and identity. University of Birmingham. M.Phil.

Addison, Neil (2021). Joy and hope in Thomas Hardy's poetry. University of Birmingham. Ph.D.

Ahmadian Attari, Mohammad Sadegh ORCID: 0000-0002-1411-0353 (2023). Porous bodies: plague and conceptions of the human body in Late Medieval England. University of Birmingham. Ph.D.

Aldawsari, Hamad Abdullah H (2019). Translator style: an exploration of stylistic patterns in translations by Raymond Stock and Roger Allen of works of Naguib Mahfouz. University of Birmingham. Ph.D.

Aldred, Natalie C. J. (2011). A critical edition of William Haughton's Englishmen for My Money; or, A Woman will have her Will. University of Birmingham. Ph.D.

Alkhalifah, Hayat (2023). The translation of language play in Alice in Wonderland into Arabic. University of Birmingham. Ph.D.

Allègre, Marie (2023). Virginia Woolf beyond psychoanalysis: English and French receptions (1980s-2020s). University of Birmingham. Ph.D.

Alsubhi, Waleed Obaidallah (2019). A cognitive-pragmatic model for translating intertextual metaphors: a study of translating Ahlam Mosteghanemi’s historical-political trilogy into English. University of Birmingham. Ph.D.

Anderson, Sarah (1980). The concept and process of dramatic adaptation, derived from a study of modern adaptations of Shakespeare's plays. University of Birmingham. Ph.D.

Andrew, Rebekah ORCID: 0000-0002-2497-880X (2021). Biblical references in the novels of Samuel Richardson and Henry Fielding published in the 1740s. University of Birmingham. Ph.D.

Ash, Cassandra Kay (2015). Look About You: A critical edition. University of Birmingham. Ph.D.

B

Banks, Reginald (1913). A study of the seventeenth century masque. University of Birmingham. M.A.

Baggs , Thomas A. (1912). The rise and progress of euphism in English literature. University of Birmingham. M.Res.

Bagnall, Rowland John Caspar (2024). ‘The Incarnate Now’: D.H. Lawrence, the New York School, and the Poetry of the Present and 'Things to Come'. University of Birmingham. Ph.D.

Baird, Ian Forbes (1990). Poems concerning the Stanley family (Earls of Derby) 1485-1520. University of Birmingham. Ph.D.

Baker, Kevin Andrew (2020). Look out at your children: the superchild motif in British scientific romance. University of Birmingham. M.A.

Baldwin Lind, Paula (2015). Looking for privacy in Shakespeare: woman's place and space in a selection of plays and early modern texts. University of Birmingham. Ph.D.

Ball, Charlotte Elizabeth (2011). Grendel’s Mother in the context of the myth of the Woman in the Water. University of Birmingham. Ph.D.

Banks, Gemma (2018). Impressions of an analyst: reassessing Sigmund Freud's literary style through a comparative study of the principles and fiction of Ford Madox Ford, Henry James, Virginia Woolf & Dorothy Richardson. University of Birmingham. Ph.D.

Barnett, James William (2008). "I had rather be called a journalist than an artist": an assessment of the artistic credibility of the novels of H.G. Wells. University of Birmingham. M.Phil.

Bartelle, Michael Joel (2022). Enacting the untranslatable: the sociolinguistic situatedness of Shakespearean emotions. University of Birmingham. Ph.D.

Bateman, William George (2022). The affront of otherness in D. H. Lawrence's writings on travel. University of Birmingham. Ph.D.

Baxter, Michael John Russell (2012). Virginia Woolf and Walter Pater: a reappraisal. University of Birmingham. M.Phil.

Bayne-Jardine, Michelle Lisa (2009). Communion of the living and the dead: valuing purgatory in A revelation of purgatory to ane holy woman (1422). University of Birmingham. M.Phil.

Baynham, Matthew Fred (2000). Holy Trinity and villainous multiplicity in the Christian shape of Macbeth. University of Birmingham. M.Phil.

Beecher, D. A. (1972). Ben Jonson's Sejanus: historiography and the political tragedy. University of Birmingham. Ph.D.

Belfield, Jane (1979). Tarlton's News Out of Purgatory (1590): a modern spelling edition with introduction and commentary. University of Birmingham. Ph.D.

Benning, Ashley Rebecca (2018). Shakespeare and the brave new world of early modern science. University of Birmingham. M.A.

Bingham, Richard William (2020). Digital natives: imagining the millennial in contemporary fiction. University of Birmingham. Ph.D.

Birch, Catherine Elizabeth (2011). Evolutionary feminism in late-victorian women’s poetry: Mathilde Blind, Constance Naden and May Kendall. University of Birmingham. Ph.D.

Bladon, Henry James Murray (2018). Missing Pieces: the presentation of mental health nursing in narrative fiction and the role of the practitioner/writer. University of Birmingham. Ph.D.

Bose, Sarika Priyadarshini (1999). Women as figures of disorder in the plays of Oscar Wilde. University of Birmingham. Ph.D.

Bower, Jane (2019). The socialite, the simpleton and the shopkeeper: female roles in the works of Beatrix Potter. University of Birmingham. M.A.

Bowring, Barbara (2018). From penury to published poet: the cultural journey of Ann Yearsley. University of Birmingham. Ph.D.

Boyd-Williams, Anthony Robert (2003). "I am left out": a study of selected clerical characters in Shakespeare's history plays. University of Birmingham. M.Phil.

Bradley, Kathleen Margaret (2009). A performance history of Sir Thomas More. University of Birmingham. M.Phil.

Bridges, Molly (2020). Womanhood, melancholy and the problem of genius in the work of Margaret Cavendish, Duchess of Newcastle-Upon-Tyne (1623-73). University of Birmingham. Ph.D.

Broadribb, Benjamin (2023). The cultural significance of Shakespeare on screen in the Twenty-First Century. University of Birmingham. Ph.D.

Brown, Joanne Elizabeth (2017). Reinterpreting Troilus and Cressida: changing perceptions in literary criticism and British performance. University of Birmingham. Ph.D.

Brown, Patricia (1998). The role and symbolism of the dragon in vernacular saints' legends, 1200-1500. University of Birmingham. Ph.D.

Brown, Percy C. (1912). Shakspere's debt to Latin poetry: studies in connexion with the classical tendencies of the sixteenth century. University of Birmingham. M.A.

Buchanan, Roberta (1981). A biography of Ulpian Fulwell and a critical edition of The Art of Flattery(1576). University of Birmingham. Ph.D.

Buckingham, Daniel Adrian (2022). ‘Licence to tease’: satire and apology in the twentieth-century middlebrow. University of Birmingham. Ph.D.

Buckley, Thea Anandam (2017). “In the spicèd Indian air by night”: performing Shakespeare’s Macbeth in Postmillennial Kerala. University of Birmingham. Ph.D.

Buffey, Emily (2017). The early modern dream vision (1558-1625): genre, authorship and tradition. University of Birmingham. Ph.D.

Burden, Emily Caroline Louise (2007). Pre-Victorian prudery: the family Shakespeare and the birth of Bowdlerism. University of Birmingham. M.Phil.

Burns, Teresa Catherine (2010). A full length play:‘Sounds like Home’ and accompanying critical analysis. University of Birmingham. M.Phil.

Burrells, Anna Louise (2010). Inter-war modernism and technology 1918-1945: machine aesthetics in the work of Ezra Pound, Francis Picabia, D. H. Lawrence, Henry Green and Wyndham Lewis. University of Birmingham. Ph.D.

Burrows, Mabel Mary (1912). The position of woman in the seventeenth century and her influence on the literature. University of Birmingham. M.A.

Burrows, Russell (2010). 'The Monument' with Critical Analysis. University of Birmingham. M.Phil.

C

Caddick, Ruth Helen (2023). A new edition and study of the Older Scots romance 'Clariodus'. University of Birmingham. Ph.D.

Caddick, Ruth Helen (2015). Magic and identity in older Scots romance. University of Birmingham. M.Res.

Carroll, William (2022). Talk of the town: small-town narrative in twentieth-century American cultural production. University of Birmingham. Ph.D.

Carson, Jessie G. (1920). Some aspects of Robert Browning's philosophy of love: with special regard to his theory of the relation between love and knowledge as revealed in Men and women (1885). University of Birmingham. M.Res.

Cho, Dukhee (2018). Political Shakespeare in Korea: from the early twentieth century to today. University of Birmingham. Ph.D.

Clark, Charlotte Louisa (2022). À toi, Caliban: a history of the tempest in France and the francophone world. University of Birmingham. Ph.D.

Clarke, Hugh (1947). Charles Dickens' contribution to the social novel: 1836-1850. University of Birmingham. M.Res.

Clewes, Simon (2023). Radical Relations: Queer(ing) Desire, Love, and Kinship in the Writing of William Godwin and his Circle. University of Birmingham. Ph.D.

Clifton, Anna Elizabeth (2020). ‘The Haunted Beach’: the coast and the Gothic tradition, 1764-1820. University of Birmingham. M.A.

Clifton, Thomas ORCID: 0000-0003-2173-0187 (2023). Meditative textual practices in England, 1661 – 1678. University of Birmingham. Ph.D.

Cobb, Jessica (2013). Two worlds meeting: cultural interaction in Rosemary Sutcliff's The Eagle of the Ninth. University of Birmingham. M.Phil.

Cockin, Janet Mary (2003). Shakespeare's use of the Christian dimension in four major tragedies, and its dramatic effect on early audiences. University of Birmingham. M.Phil.

Cockin, Norman (1980). Post-war productions of Hamlet at Stratford-upon-Avon 1948-1970. University of Birmingham. M.A.

Cogbill, Rhiannon Elizabeth ORCID: 0000-0002-0309-073X (2021). Health and unhealth: the condition of women in the fiction of Virginia Woolf, Dorothy Richardson and May Sinclair. University of Birmingham. Ph.D.

Collins, Matthew ORCID: 0000-0002-9636-1980 (2020). The Hoole book: a literary-linguistic study of cohesion and coherence in Thomas Malory’s Morte Darthur. University of Birmingham. Ph.D.

Comer, Hannah (2020). The Pre-Raphaelite legacy in modernism. University of Birmingham. Ph.D.

Cook, Elizabeth Mary (2019). Conceptualising paradise: genre and ecology in the works of John Milton. University of Birmingham. Ph.D.

Cope, Dora Gwendoline (1917). The women characters in the 'imaginary conversations' of Walter Savage Landor. University of Birmingham. M.A.

Corbin, Peter Francis (1966). A death and a marriage: an examination of the literature occasioned by the death of Henry Prince of Wales and the marriage of his sister Princess Elizabeth, 1612-13. University of Birmingham. Ph.D.

Corless, Edward (2021). Immolation and critical document. University of Birmingham. Ph.D.

Cosham, Charlotte (2012). A personal re-membering of Michael Field: a critical dis-membering of Works and Days. University of Birmingham. M.Phil.

Couchman-Crook, Ellen Marie (2018). The exotic and the everyday, regional Victorian pantomime in Birmingham and the Black Country 1813-1914. University of Birmingham. M.Res.

Craddock, Jade (2013). Women poets, feminism and the sonnet in the twentieth and twenty-first centuries: an American narrative. University of Birmingham. Ph.D.

Cuthew, Lucy Marie (2006). Fantasy, morality and ideology: a comparative study of C.S.Lewis' The Chronicles of Narnia and Philip Pullman's His Dark Materials. University of Birmingham. M.Phil.

Cuyler, Grenville (1985). Shakespeare and Jung. University of Birmingham. Ph.D.

D

Da Silva Gregório, Paulo Henrique (2017). Intersections between Shakespeare and Beckett on stage, screen and page. University of Birmingham. Ph.D.

Darden, Frances Kirkpatrick (1952). The cony-catching pamphlets of Robert Greene: A bibliography and study. University of Birmingham. Ph.D.

Davies, Elinor Mary (2022). Exploring 'Radical Mischief' at The Other Place, Royal Shakespeare Company, 2016-2020. University of Birmingham. Ph.D.

Delmas, Melina (2020). (S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French. University of Birmingham. Ph.D.

Demetriou, Galateia (2018). Modernist poetics of distance: George Seferis and Ezra Pound. University of Birmingham. Ph.D.

Diaper, Jeremy Charles Rupert (2015). 'A wrong attitude towards nature': T. S. Eliot and agriculture. University of Birmingham. Ph.D.

Diaper, Jeremy Charles Rupert (2011). Four Quartets: vers libéré, musicality and belief. University of Birmingham. M.Phil.

Dingle, Alison (2019). Biblical geographies of Palestine in nineteenth-century writing. University of Birmingham. Ph.D.

Dobson, Eleanor (2014). Science, magic and Ancient Egypt in late Victorian and Edwardian literature. University of Birmingham. M.A.

Doering, Jonathan Watson (2021). An exploration of the existence and utility of a Quaker Literary Aesthetic in the poetry of Philip Gross and Sibyl Ruth. University of Birmingham. M.A.

Donovan, Graham Paul (2024). Post-cinematic anxiety. University of Birmingham. Ph.D.

Donovan, John (1972). Hudibras and its literary context. University of Birmingham. Ph.D.

Drahos, Jonathan Wade (2015). Shakesperean and Marlovian Epyllion: dramatic ekphrasis of Venus and Adonis and Hero and Leander. University of Birmingham. Ph.D.

E

Edwards, Adam T ORCID: 0009-0001-8879-5711 (2024). Attitude is everything: The importance of Cyberpunk to contemporary society. University of Birmingham. Ph.D.

Edwards, Shantel (2019). Contemporary British fiction and the marketing of mixed race. University of Birmingham. Ph.D.

Egan, Gabriel (1997). Two 'transitional' late plays at the Globe : an evaluation of the scholarship of Globe reconstruction and its bearing on the original staging of Shakespeare's The Winter's Tale and Cymbeline. University of Birmingham. Ph.D.

El Inglizi, Najwa Yousif (2003). Negotiating the gothic in the fiction of Thomas Hardy. University of Birmingham. Ph.D.

Etkin, Jan (2016). The contradiction of opposites in Shakespeare Sonnets. University of Birmingham. M.Phil.

Evans, Tomos (2024). Milton's Hellenism. University of Birmingham. Ph.D.

F

Feldman, Ariella (2021). Folklore in the works of Charlotte Brontë: a new critical approach. University of Birmingham. Ph.D.

Ferrario, Marie T. (1917). The relation between court and literature in the seventeenth century (1579-1700). University of Birmingham. M.A.

Flynn, Hayley Hannah (2016). Fantastical reflections: Lewis Carroll, George Macdonald and Charles Dickens. University of Birmingham. M.A.

Foakes, R. A. (1952). Imagery in Elizabethan and Jacobean drama: suggestions for a new approach. University of Birmingham. Ph.D.

Foakes, R. A. (1949). The Revenger's Tragedy and The Atheist's Tragedy: some notes on their style and on the authorship problem. University of Birmingham. M.A.

Fox, Emma (1995). Conrad and masculinity. University of Birmingham. Ph.D.

Fretz, Claude (2016). Remaking genre: dreams and sleep in Shakespeare’s comedies and tragedies (c.1591-1606). University of Birmingham. Ph.D.

Fusillo, Robert J. (1966). The staging of battle scenes on the Shakespearean stage. University of Birmingham. Ph.D.

G

Garafalo, Sanner (2013). ‘Most wonderful!’: a contextual study of twinship in early modern drama and Shakespeare’s plays. University of Birmingham. Ph.D.

Georgopoulou, Xeni (2000). 'World's exile': feigned death and rebirth in Romeo and Juliet and The Winter's Tale. University of Birmingham. M.Phil.

Giammanco, Rosamaria Stefania (2021). From souvenirs of Canada to global dystopia: nostalgic Canada and a globalized world in the work of Douglas Coupland. University of Birmingham. Ph.D.

Gibson, Frances Millicent (1912). Dickens et Daudet. University of Birmingham. M.A.

Gibson, Joy Leslie (1994). Squeaking Cleopatras? Shakespeare's boy players. University of Birmingham. M.Phil.

Gibson, Joy Leslie (2006). Status and stages: an examination of the function of costume in Elizabethan and Jacobean plays. University of Birmingham. M.Litt.

Gilfedder, Luke (2021). Wyndham Lewis: modernism and the ancient lights. University of Birmingham. M.A.

Goode, James (1929). John Milton: the making of an epic poet. University of Birmingham. M.A.

Goss, John Christopher (2011). A radical novelist in Eighteenth Century England: Robert Bage on poverty, slavery and women. University of Birmingham. M.Litt.

Graham, Dorothy L. (1934). Henry Vaughan, Silurist: a study of his life and writings: his relations to his age and subsequent influence. University of Birmingham. Ph.D.

Green, Charles Adam (2020). John Donne's commemorations: authorship and afterlife in early modern England. University of Birmingham. Ph.D.

Green, Lawrence C. (1999). The uses of pageantry: pageantry as production style in revivals of Shakespeare's second tetralogy on the English stage in the twentieth century. University of Birmingham. Ph.D.

Green, William ORCID: 0000-0002-7955-1037 (2021). Thomas Middleton and the adaptation of Shakespeare: late Jacobean politics in print and performance, 1616-1623. University of Birmingham. Ph.D.

Greene, Rob (2020). The poetry school of experience. University of Birmingham. Ph.D.

H

Hagglund, Betty (2000). Tourists and travellers: women's non-fictional writing about Scotland 1770-1830. University of Birmingham. Ph.D.

Hale, Florence (1920). The influence of Latin drama on Elizabethan drama. University of Birmingham. M.Res.

Hall, Michael (2008). Francis Brett Young’s Birmingham: North Bromwich – City of Iron. University of Birmingham. Ph.D.

Halliday, Neil Edmund Bain (2020). Fatal consequences: Romantic confessional writing of the 1820s. University of Birmingham. Ph.D.

Hamilton, Paul (2015). America and the perverse Shakespearean imagination. University of Birmingham. Ph.D.

Hamlyn, Susan Katherine (1975). She stoops to conquer: the making of a popular success. University of Birmingham. M.A.

Hanmer, Rosalind Maria (2011). Understanding lesbian fandom: a case study of the Xena: Warrior Princess (XSTT) lesbian internet fans. University of Birmingham. Ph.D.

Harding , Joan Naunton (1949). A study of the development of the critical thought of Paul Elmer More. University of Birmingham. Ph.D.

Hardy, Elizabeth Jane Crawford (2022). Performing the presence of the female gap: accessing the excess in Victorian Shakespeare. University of Birmingham. Ph.D.

Harker, Karen Elizabeth (2021). Reconstructing Shakespearean soundscapes: tableaux vivants, incidental music, and expressions of national identity on the London stage, 1855-1911. University of Birmingham. Ph.D.

Harris, Nicola Joy (1998). 'The means of seeing' : looking at reality in the novels of Thomas Hardy. University of Birmingham. Ph.D.

Harris, Shelley-Anne (2011). Gender and religion in the Phoenix. University of Birmingham. M.Phil.

Harrison, Arthur Cyril (1920). Robert Southey and his poetry: a critical study. University of Birmingham. M.Res.

Harrison, Liam (2022). Late modernist styles: modernist legacies in post-millennial British and Irish literature. University of Birmingham. Ph.D.

Harrison, Rosanna Lucy Doris Colchester (2019). A study of George Wilson’s eighteenth-century narrative fans as prints and mobile conduct instructors. University of Birmingham. Ph.D.

Hart, Stuart Anthony (2018). Soteriology in Edmund Spenser's \(The\) \(Faerie\) \(Queene\). University of Birmingham. Ph.D.

Hartless, Harry (2022). Try to learn to let what is unfair teach you: an investigation into metafiction, self- consciousness and morality AND ‘A diamond geeza is a girl’s best friend’ a collection of short stories, vignettes and snapshots. University of Birmingham. Ph.D.

Hartwell, Jonathan William (2004). 'Skill in the construction' dramaturgy, ideology, and interpretation in Shakespeare’s late plays. University of Birmingham. Ph.D.

Hawkins, Ella Kirsty (2020). The significance of Jacobethanism in Twenty-First-Century costume design for Shakespeare. University of Birmingham. Ph.D.

Hayes, Joanna Louise (2022). 'Forc'd to limb my own Child': Nathaniel Lee's reuse of The Massacre of Paris in The Princess of Cleve and The Duke of Guise. University of Birmingham. M.A.

Hayward, Wayne Clinton (1951). The Globe Theatre 1599-1608. University of Birmingham. Ph.D.

Hennessey, James Todd (2017). An examination of human anatomy in the drama of the early modern period. University of Birmingham. Ph.D.

Herbert, John Richard James (2013). A revaluation of E.M. Forster's fiction. University of Birmingham. Ph.D.

Hewitt, Alexandra (2023). Shakespeare’s self-fashioning: social identity and the interiors of the ‘new genrty’ house in early modern England, 1590-1620. University of Birmingham. Ph.D.

Higgins, Martin (2021). Idolatry, fetishism, and the drama of John Lyly. University of Birmingham. Ph.D.

Hildick-Smith, Georgina Elizabeth (2019). An essay on cultural criticism and sites of cultural production. University of Birmingham. M.A.

Hill, Christina Bernadette Thérèse (1975). A study of mesmerism and the literature of the 19th century, with particular reference to Harriet Martineau. University of Birmingham. M.A.

Hill, Christina Bernadette Thérèse (1977). A study of spiritualism in the life and work of Elizabeth Barrett Browning. University of Birmingham. Ph.D.

Hill, David Arthur (2012). A distrust of tradition: the study, performance and reception of Shakespeare in England in a context of social, political and technological change, 1919-1939. University of Birmingham. M.Litt.

Hill, Neville V.L. (1949). Some aspects of the style of John Webster : a study of The duchess of Malfi and The white devil. University of Birmingham. Ph.D.

Hilton, Laura Jayne (2011). The Gothic double in the contemporary graphic novel. University of Birmingham. Ph.D.

Hingley, George Clement (1912). Shakespeare's debt to classical antiquity. University of Birmingham. M.A.

Hinton, B.J.C (1980). Myth and legend in post-war English poetry. University of Birmingham. Ph.D.

Hinton, B.J.C (1975). The poetry of Thom Gunn. University of Birmingham. M.A.

Hipkins, Charles Hammond (1916). Wordsworth and his influence upon English poetry. University of Birmingham. M.A.

Hoare, Katharine Elizabeth (2012). ‘The book held me like a visit from an amusing, valued friend: the Inter-War Middlebrow novels of E. M. Delafield and E. H. Young. University of Birmingham. M.Phil.

Holland, Claire (2014). The Chinese fur trade in theatre: Made in China & responsive critical understanding. University of Birmingham. M.Res.

Hollis, Gavin Russell (2000). Stage directions: Shakespeare's use of the map. University of Birmingham. M.Phil.

Horn, Paul Matthew Austin (2009). Telepathy and the Visual in the Late Novels of Henry James. University of Birmingham. M.Phil.

Huang, Xiaomei (2023). Disciplinary and intra-disciplinary developmental variation in shell noun use in undergraduate student writing. University of Birmingham. Ph.D.

Hyde, Andrew P (2020). An epic redemption: Re-reading some aberrant eleventh- century bodies. University of Birmingham. Ph.D.

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Iles, Katharine (2012). Constructing the eighteenth-century woman: the adventurous history of Sabrina Sidney. University of Birmingham. Ph.D.

Ingham, Anthea Margaret (2011). Algernon Charles Swinburne: the causes and effects of his Sapphic possession. University of Birmingham. Ph.D.

Ireson, Lucinda (2014). Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. University of Birmingham. Ph.D.

Irwin, Andrew (2023). A monstrous queer in heteronormative waters: using queer theory to deconstruct the representation of Voldemort’s body in the Harry Potter series. University of Birmingham. M.Res.

Ishikawa, Naoko (2011). The English clown: print in performance and performance in print. University of Birmingham. Ph.D.

Issa, Islam (2014). Transforming Paradise Lost: translation and reception of John Milton’s writing in the Arab-Muslim world. University of Birmingham. Ph.D.

Ito, Nabi (2023). Collaboration and ambiguity of authorship in the works of Simon Stephens. University of Birmingham. Ph.D.

Iwata, Yumiko (2009). Creating suspense and surprise in short literary fiction: a stylistic and narratological approach. University of Birmingham. Ph.D.

J

Jackson, Russell Bennett (1971). "Cymbeline" in the nineteenth century. University of Birmingham. M.Res.

Jackson, Russell Bennett (1975). Pictorial Shakespeare, 1880-1890: a study of major London productions. University of Birmingham. Ph.D.

Jeffery, Elizabeth Mary ORCID: 0000-0001-8378-9892 (2021). Minority Shakespeare: a cultural study of translation and performance in Welsh, Euskara, and Te Reo Māori. University of Birmingham. Ph.D.

Jeffery, Heather Margaret (2010). Developing a play: A dance for Leningrad. University of Birmingham. M.Phil.

Jenner, Stephanie (2011). Identity and the Victorian woman poet: working in and against the poetess tradition. University of Birmingham. M.Phil.

Jones, Miranda Alice (2020). Engagements with the pastoral mode in the poetry and plays of Derek Walcott. University of Birmingham. Ph.D.

Jones, Natalie Linda (2013). The abortion trope: a study in contemporary criticism and nineteenth-century poetics. University of Birmingham. Ph.D.

Jones, Winifred Maria (1999). Shakespeare's dialogic stage: towards a poetics of performance. University of Birmingham. Ph.D.

Joshua, Essaka Cecilia (1995). The Pygmalion story in British literature until 1900, with special reference to the nineteenth century. University of Birmingham. Ph.D.

K

Kay, Laurence H. (1912). Lessing's knowledge and criticism of English Literature. University of Birmingham. M.A.

Keith, Richard Ian (2022). Accessing the power of the play: thoughts on intercultural Shakespeare from examining 'Hamlet' in Japan. University of Birmingham. Ph.D.

Kendall White, Cecilia (2014). 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. University of Birmingham. M.Phil.

Kermode, Lloyd Edward (1992). Trial by Jewry: the Jewish figure as subversive critic in the plays of the public theatre, 1580-1600. University of Birmingham. M.Phil.

Keskin Çolak, Ayşegűl (2012). Nugae Curialium reconsidered: John of Salisbury’s court criticism in the context of his political theory. University of Birmingham. M.Phil.

Ketterer, Elizabeth (2009). “Govern'd by stops, Aw'd by dividing notes" The functions of music in the extant repertory of the Admiral's men 1594-1621. University of Birmingham. Ph.D.

Kidnie, Margaret Jane (1996). A critical edition of Philip Stubbes's anatomie of abuses. University of Birmingham. Ph.D.

King, Gemma (2014). 'A hapless race’: supernatural social satire in May Kendall’s poetry. University of Birmingham. M.Phil.

King, Rosalie Sian (2020). The distribution and ownership of English chapbooks and other cheap print in south Wales and its borders 1660 to 1730: developmental influences on commerce, religion and education. University of Birmingham. Ph.D.

Kingsley-Smith, Jane Elizabeth (1999). Banishment in Shakespeare's plays. University of Birmingham. Ph.D.

Knott, Sue Marilyn (1998). Competing discourses of love and sexuality in the relationships between men and women in Renaissance drama. University of Birmingham. Ph.D.

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Langdon, John Douglass (2017). Rejecting the Pale Companion: mythemes of immortality in and beyond William Shakespeare’s A Midsummer Night’s Dream. University of Birmingham. Ph.D.

Leslie Gibson, Joy (2019). Forgiveness and repentance in early modern drama. University of Birmingham. Ph.D.

Levy, Madeleine (2013). Inside the mind: realising ‘Dissociative identity disorder’ on stage and the challenges that came with it. Including the new play (Choices). University of Birmingham. M.Phil.

Linnemann, Emily Caroline Louise (2011). The cultural value of Shakespeare in twenty-first-century publicly-funded theatre in England. University of Birmingham. Ph.D.

Lion, Caroline (2021). Beyond Violence: "The Merchant of Venice". University of Birmingham. Ph.D.

Lockyer, Rebekah Lucy (2014). The music of prose: a reading of Ford Madox Ford's Parade's End. University of Birmingham. M.Phil.

Long, Hilary Edith W (2000). 'Acting good parts well': Sir Ian McKellen in Shakespeare. University of Birmingham. Ph.D.

Lowe, Katie Jemma (2011). 'That horror and doom very nearly related to Elizabethan tragedy': Djuna Barnes, T.S. Eliot, and the tragedies of relation. University of Birmingham. M.Phil.

Luo, Jian (2011). The narrative art of modernist fiction: A corpus stylistic and cognitive narratological approach. University of Birmingham. Ph.D.

M

MacDonald, Mary Jacqueline (2017). Silent shadows: supernumeraries in British court masques 1594-1640. University of Birmingham. Ph.D.

Mackenzie, Rowan Mia (2021). Creating Space for Shakespeare with Marginalised Communities. University of Birmingham. Ph.D.

Macphee, Wendy Jean (1996). Arcana in Shakespeare's comedies with specific reference to 'The Comedy of Errors' and 'A Midsummer Night's Dream'. University of Birmingham. Ph.D.

Manford, Alan (1981). A critical edition of Thomas Hardy's "A pair of blue eyes". University of Birmingham. Ph.D.

Mann, Katharine Hannah (2023). "Ay, in the temple, in the town, the field, you do me mischief": the representation of rape and threatened rape in Shakespeare's works. University of Birmingham. Ph.D.

Markus, Zoltan (1993). "Foolery, sir, does walk about the orb like the sun": fool-characters and comic dramatic structures in Hamlet, Twelfth night and Troilus and Cressida. University of Birmingham. M.Phil.

Martin, Philippa Adrienne (2007). The medieval house and curtilage: an investigation into domestic spaces in the English medieval romance. University of Birmingham. M.Phil.

Martinez, Aurora Faye ORCID: 0000-0001-8524-4837 (2021). Some uses of pastoral: from Marvell to Wordsworth. University of Birmingham. Ph.D.

Maskew, Helen Patricia (2009). Shakespeare and the Earl of Warwick: the kingmaker in the Henry VI trilogy. University of Birmingham. Ph.D.

Masuo, Kishiko (1997). The two Japanese productions of Macbeth: Akira Kurosawa's Throne of Blood and Yukio Nevagawa's Ninaga Wa's Macbeth. University of Birmingham. M.Phil.

McAtear, James Doherty (2022). Andrew Wyntoun’s Original Chronicle: a study of the Chronicle and the significance of its compilational style. University of Birmingham. Ph.D.

McEvilla, Joshua (2010). Richard Brome, 1632-1659: reconceptualising Caroline drama through Commonwealth print. University of Birmingham. Ph.D.

McIlroy, Tara (2020). A study of university students in Japan: poetic engagement and English language learning. University of Birmingham. Ph.D.

McMahon, Victoria (2021). Menopausal shakespeare and the anxious womb. University of Birmingham. Ph.D.

Meimandi, Mohammad Nabi (2008). ‘Just as strenuous a nationalist as ever’, W.B. Yeats and postcolonialism: tensions, ambiguities, and uncertainties. University of Birmingham. Ph.D.

Meints Adail, Renata D. ORCID: 0000-0002-3983-3339 (2019). Ulysses in paradise: Joyce’s dialogues with Milton. University of Birmingham. Ph.D.

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