Items where Subject is "P Language and Literature > PR English literature"

A

Abdullah, Nurul Farhana Low Bt. (1999). Revenge tragedy and identity. University of Birmingham. M.Phil.

Addison, Neil (2021). Joy and hope in Thomas Hardy's poetry. University of Birmingham. Ph.D.

Ahmadian Attari, Mohammad Sadegh ORCID: https://orcid.org/0000-0002-1411-0353 (2023). Porous bodies: plague and conceptions of the human body in Late Medieval England. University of Birmingham. Ph.D.

Aldawsari, Hamad Abdullah H (2019). Translator style: an exploration of stylistic patterns in translations by Raymond Stock and Roger Allen of works of Naguib Mahfouz. University of Birmingham. Ph.D.

Aldred, Natalie C. J. (2011). A critical edition of William Haughton's Englishmen for My Money; or, A Woman will have her Will. University of Birmingham. Ph.D.

Alkhalifah, Hayat (2023). The translation of language play in Alice in Wonderland into Arabic. University of Birmingham. Ph.D.

Allègre, Marie (2023). Virginia Woolf beyond psychoanalysis: English and French receptions (1980s-2020s). University of Birmingham. Ph.D.

Alsubhi, Waleed Obaidallah (2019). A cognitive-pragmatic model for translating intertextual metaphors: a study of translating Ahlam Mosteghanemi’s historical-political trilogy into English. University of Birmingham. Ph.D.

Anderson, Sarah (1980). The concept and process of dramatic adaptation, derived from a study of modern adaptations of Shakespeare's plays. University of Birmingham. Ph.D.

Andrew, Rebekah ORCID: https://orcid.org/0000-0002-2497-880X (2021). Biblical references in the novels of Samuel Richardson and Henry Fielding published in the 1740s. University of Birmingham. Ph.D.

Ash, Cassandra Kay (2015). Look About You: A critical edition. University of Birmingham. Ph.D.

B

Banks, Reginald (1913). A study of the seventeenth century masque. University of Birmingham. M.A.

Baggs , Thomas A. (1912). The rise and progress of euphism in English literature. University of Birmingham. M.Res.

Bagnall, Rowland John Caspar (2024). ‘The Incarnate Now’: D.H. Lawrence, the New York School, and the Poetry of the Present and 'Things to Come'. University of Birmingham. Ph.D.

Baird, Ian Forbes (1990). Poems concerning the Stanley family (Earls of Derby) 1485-1520. University of Birmingham. Ph.D.

Baker, Kevin Andrew (2020). Look out at your children: the superchild motif in British scientific romance. University of Birmingham. M.A.

Baldwin Lind, Paula (2015). Looking for privacy in Shakespeare: woman's place and space in a selection of plays and early modern texts. University of Birmingham. Ph.D.

Ball, Charlotte Elizabeth (2011). Grendel’s Mother in the context of the myth of the Woman in the Water. University of Birmingham. Ph.D.

Banks, Gemma (2018). Impressions of an analyst: reassessing Sigmund Freud's literary style through a comparative study of the principles and fiction of Ford Madox Ford, Henry James, Virginia Woolf & Dorothy Richardson. University of Birmingham. Ph.D.

Barnett, James William (2008). "I had rather be called a journalist than an artist": an assessment of the artistic credibility of the novels of H.G. Wells. University of Birmingham. M.Phil.

Bartelle, Michael Joel (2022). Enacting the untranslatable: the sociolinguistic situatedness of Shakespearean emotions. University of Birmingham. Ph.D.

Bateman, William George (2022). The affront of otherness in D. H. Lawrence's writings on travel. University of Birmingham. Ph.D.

Baxter, Michael John Russell (2012). Virginia Woolf and Walter Pater: a reappraisal. University of Birmingham. M.Phil.

Bayne-Jardine, Michelle Lisa (2009). Communion of the living and the dead: valuing purgatory in A revelation of purgatory to ane holy woman (1422). University of Birmingham. M.Phil.

Baynham, Matthew Fred (2000). Holy Trinity and villainous multiplicity in the Christian shape of Macbeth. University of Birmingham. M.Phil.

Beecher, D. A. (1972). Ben Jonson's Sejanus: historiography and the political tragedy. University of Birmingham. Ph.D.

Belfield, Jane (1979). Tarlton's News Out of Purgatory (1590): a modern spelling edition with introduction and commentary. University of Birmingham. Ph.D.

Benning, Ashley Rebecca (2018). Shakespeare and the brave new world of early modern science. University of Birmingham. M.A.

Bingham, Richard William (2020). Digital natives: imagining the millennial in contemporary fiction. University of Birmingham. Ph.D.

Birch, Catherine Elizabeth (2011). Evolutionary feminism in late-victorian women’s poetry: Mathilde Blind, Constance Naden and May Kendall. University of Birmingham. Ph.D.

Bladon, Henry James Murray (2018). Missing Pieces: the presentation of mental health nursing in narrative fiction and the role of the practitioner/writer. University of Birmingham. Ph.D.

Bose, Sarika Priyadarshini (1999). Women as figures of disorder in the plays of Oscar Wilde. University of Birmingham. Ph.D.

Bower, Jane (2019). The socialite, the simpleton and the shopkeeper: female roles in the works of Beatrix Potter. University of Birmingham. M.A.

Bowring, Barbara (2018). From penury to published poet: the cultural journey of Ann Yearsley. University of Birmingham. Ph.D.

Boyd-Williams, Anthony Robert (2003). "I am left out": a study of selected clerical characters in Shakespeare's history plays. University of Birmingham. M.Phil.

Bradley, Kathleen Margaret (2009). A performance history of Sir Thomas More. University of Birmingham. M.Phil.

Bridges, Molly (2020). Womanhood, melancholy and the problem of genius in the work of Margaret Cavendish, Duchess of Newcastle-Upon-Tyne (1623-73). University of Birmingham. Ph.D.

Broadribb, Benjamin (2023). The cultural significance of Shakespeare on screen in the Twenty-First Century. University of Birmingham. Ph.D.

Brown, Joanne Elizabeth (2017). Reinterpreting Troilus and Cressida: changing perceptions in literary criticism and British performance. University of Birmingham. Ph.D.

Brown, Patricia (1998). The role and symbolism of the dragon in vernacular saints' legends, 1200-1500. University of Birmingham. Ph.D.

Brown, Percy C. (1912). Shakspere's debt to Latin poetry: studies in connexion with the classical tendencies of the sixteenth century. University of Birmingham. M.A.

Buchanan, Roberta (1981). A biography of Ulpian Fulwell and a critical edition of The Art of Flattery(1576). University of Birmingham. Ph.D.

Buckingham, Daniel Adrian (2022). ‘Licence to tease’: satire and apology in the twentieth-century middlebrow. University of Birmingham. Ph.D.

Buckley, Thea Anandam (2017). “In the spicèd Indian air by night”: performing Shakespeare’s Macbeth in Postmillennial Kerala. University of Birmingham. Ph.D.

Buffey, Emily (2017). The early modern dream vision (1558-1625): genre, authorship and tradition. University of Birmingham. Ph.D.

Burden, Emily Caroline Louise (2007). Pre-Victorian prudery: the family Shakespeare and the birth of Bowdlerism. University of Birmingham. M.Phil.

Burns, Teresa Catherine (2010). A full length play:‘Sounds like Home’ and accompanying critical analysis. University of Birmingham. M.Phil.

Burrells, Anna Louise (2010). Inter-war modernism and technology 1918-1945: machine aesthetics in the work of Ezra Pound, Francis Picabia, D. H. Lawrence, Henry Green and Wyndham Lewis. University of Birmingham. Ph.D.

Burrows, Mabel Mary (1912). The position of woman in the seventeenth century and her influence on the literature. University of Birmingham. M.A.

Burrows, Russell (2010). 'The Monument' with Critical Analysis. University of Birmingham. M.Phil.

C

Caddick, Ruth Helen (2023). A new edition and study of the Older Scots romance 'Clariodus'. University of Birmingham. Ph.D.

Caddick, Ruth Helen (2015). Magic and identity in older Scots romance. University of Birmingham. M.Res.

Carroll, William (2022). Talk of the town: small-town narrative in twentieth-century American cultural production. University of Birmingham. Ph.D.

Carson, Jessie G. (1920). Some aspects of Robert Browning's philosophy of love: with special regard to his theory of the relation between love and knowledge as revealed in Men and women (1885). University of Birmingham. M.Res.

Cho, Dukhee (2018). Political Shakespeare in Korea: from the early twentieth century to today. University of Birmingham. Ph.D.

Clark, Charlotte Louisa (2022). À toi, Caliban: a history of the tempest in France and the francophone world. University of Birmingham. Ph.D.

Clarke, Hugh (1947). Charles Dickens' contribution to the social novel: 1836-1850. University of Birmingham. M.Res.

Clewes, Simon (2023). Radical Relations: Queer(ing) Desire, Love, and Kinship in the Writing of William Godwin and his Circle. University of Birmingham. Ph.D.

Clifton, Anna Elizabeth (2020). ‘The Haunted Beach’: the coast and the Gothic tradition, 1764-1820. University of Birmingham. M.A.

Clifton, Thomas ORCID: https://orcid.org/0000-0003-2173-0187 (2023). Meditative textual practices in England, 1661 – 1678. University of Birmingham. Ph.D.

Cobb, Jessica (2013). Two worlds meeting: cultural interaction in Rosemary Sutcliff's The Eagle of the Ninth. University of Birmingham. M.Phil.

Cockin, Janet Mary (2003). Shakespeare's use of the Christian dimension in four major tragedies, and its dramatic effect on early audiences. University of Birmingham. M.Phil.

Cockin, Norman (1980). Post-war productions of Hamlet at Stratford-upon-Avon 1948-1970. University of Birmingham. M.A.

Cogbill, Rhiannon Elizabeth ORCID: https://orcid.org/0000-0002-0309-073X (2021). Health and unhealth: the condition of women in the fiction of Virginia Woolf, Dorothy Richardson and May Sinclair. University of Birmingham. Ph.D.

Collins, Matthew ORCID: https://orcid.org/0000-0002-9636-1980 (2020). The Hoole book: a literary-linguistic study of cohesion and coherence in Thomas Malory’s Morte Darthur. University of Birmingham. Ph.D.

Comer, Hannah (2020). The Pre-Raphaelite legacy in modernism. University of Birmingham. Ph.D.

Cook, Elizabeth Mary (2019). Conceptualising paradise: genre and ecology in the works of John Milton. University of Birmingham. Ph.D.

Cope, Dora Gwendoline (1917). The women characters in the 'imaginary conversations' of Walter Savage Landor. University of Birmingham. M.A.

Corbin, Peter Francis (1966). A death and a marriage: an examination of the literature occasioned by the death of Henry Prince of Wales and the marriage of his sister Princess Elizabeth, 1612-13. University of Birmingham. Ph.D.

Corless, Edward (2021). Immolation and critical document. University of Birmingham. Ph.D.

Cosham, Charlotte (2012). A personal re-membering of Michael Field: a critical dis-membering of Works and Days. University of Birmingham. M.Phil.

Couchman-Crook, Ellen Marie (2018). The exotic and the everyday, regional Victorian pantomime in Birmingham and the Black Country 1813-1914. University of Birmingham. M.Res.

Craddock, Jade (2013). Women poets, feminism and the sonnet in the twentieth and twenty-first centuries: an American narrative. University of Birmingham. Ph.D.

Cuthew, Lucy Marie (2006). Fantasy, morality and ideology: a comparative study of C.S.Lewis' The Chronicles of Narnia and Philip Pullman's His Dark Materials. University of Birmingham. M.Phil.

Cuyler, Grenville (1985). Shakespeare and Jung. University of Birmingham. Ph.D.

D

Da Silva Gregório, Paulo Henrique (2017). Intersections between Shakespeare and Beckett on stage, screen and page. University of Birmingham. Ph.D.

Darden, Frances Kirkpatrick (1952). The cony-catching pamphlets of Robert Greene: A bibliography and study. University of Birmingham. Ph.D.

Davies, Elinor Mary (2022). Exploring 'Radical Mischief' at The Other Place, Royal Shakespeare Company, 2016-2020. University of Birmingham. Ph.D.

Delmas, Melina (2020). (S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French. University of Birmingham. Ph.D.

Demetriou, Galateia (2018). Modernist poetics of distance: George Seferis and Ezra Pound. University of Birmingham. Ph.D.

Diaper, Jeremy Charles Rupert (2015). 'A wrong attitude towards nature': T. S. Eliot and agriculture. University of Birmingham. Ph.D.

Diaper, Jeremy Charles Rupert (2011). Four Quartets: vers libéré, musicality and belief. University of Birmingham. M.Phil.

Dingle, Alison (2019). Biblical geographies of Palestine in nineteenth-century writing. University of Birmingham. Ph.D.

Dobson, Eleanor (2014). Science, magic and Ancient Egypt in late Victorian and Edwardian literature. University of Birmingham. M.A.

Doering, Jonathan Watson (2021). An exploration of the existence and utility of a Quaker Literary Aesthetic in the poetry of Philip Gross and Sibyl Ruth. University of Birmingham. M.A.

Donovan, Graham Paul (2024). Post-cinematic anxiety. University of Birmingham. Ph.D.

Donovan, John (1972). Hudibras and its literary context. University of Birmingham. Ph.D.

Drahos, Jonathan Wade (2015). Shakesperean and Marlovian Epyllion: dramatic ekphrasis of Venus and Adonis and Hero and Leander. University of Birmingham. Ph.D.

E

Edwards, Adam T ORCID: https://orcid.org/0009-0001-8879-5711 (2024). Attitude is everything: The importance of Cyberpunk to contemporary society. University of Birmingham. Ph.D.

Edwards, Shantel (2019). Contemporary British fiction and the marketing of mixed race. University of Birmingham. Ph.D.

Egan, Gabriel (1997). Two 'transitional' late plays at the Globe : an evaluation of the scholarship of Globe reconstruction and its bearing on the original staging of Shakespeare's The Winter's Tale and Cymbeline. University of Birmingham. Ph.D.

El Inglizi, Najwa Yousif (2003). Negotiating the gothic in the fiction of Thomas Hardy. University of Birmingham. Ph.D.

Etkin, Jan (2016). The contradiction of opposites in Shakespeare Sonnets. University of Birmingham. M.Phil.

Evans, Tomos (2024). Milton's Hellenism. University of Birmingham. Ph.D.

F

Feldman, Ariella (2021). Folklore in the works of Charlotte Brontë: a new critical approach. University of Birmingham. Ph.D.

Ferrario, Marie T. (1917). The relation between court and literature in the seventeenth century (1579-1700). University of Birmingham. M.A.

Flynn, Hayley Hannah (2016). Fantastical reflections: Lewis Carroll, George Macdonald and Charles Dickens. University of Birmingham. M.A.

Foakes, R. A. (1952). Imagery in Elizabethan and Jacobean drama: suggestions for a new approach. University of Birmingham. Ph.D.

Foakes, R. A. (1949). The Revenger's Tragedy and The Atheist's Tragedy: some notes on their style and on the authorship problem. University of Birmingham. M.A.

Fox, Emma (1995). Conrad and masculinity. University of Birmingham. Ph.D.

Fretz, Claude (2016). Remaking genre: dreams and sleep in Shakespeare’s comedies and tragedies (c.1591-1606). University of Birmingham. Ph.D.

Fusillo, Robert J. (1966). The staging of battle scenes on the Shakespearean stage. University of Birmingham. Ph.D.

G

Garafalo, Sanner (2013). ‘Most wonderful!’: a contextual study of twinship in early modern drama and Shakespeare’s plays. University of Birmingham. Ph.D.

Georgopoulou, Xeni (2000). 'World's exile': feigned death and rebirth in Romeo and Juliet and The Winter's Tale. University of Birmingham. M.Phil.

Giammanco, Rosamaria Stefania (2021). From souvenirs of Canada to global dystopia: nostalgic Canada and a globalized world in the work of Douglas Coupland. University of Birmingham. Ph.D.

Gibson, Frances Millicent (1912). Dickens et Daudet. University of Birmingham. M.A.

Gibson, Joy Leslie (1994). Squeaking Cleopatras? Shakespeare's boy players. University of Birmingham. M.Phil.

Gibson, Joy Leslie (2006). Status and stages: an examination of the function of costume in Elizabethan and Jacobean plays. University of Birmingham. M.Litt.

Gilfedder, Luke (2021). Wyndham Lewis: modernism and the ancient lights. University of Birmingham. M.A.

Goode, James (1929). John Milton: the making of an epic poet. University of Birmingham. M.A.

Goss, John Christopher (2011). A radical novelist in Eighteenth Century England: Robert Bage on poverty, slavery and women. University of Birmingham. M.Litt.

Graham, Dorothy L. (1934). Henry Vaughan, Silurist: a study of his life and writings: his relations to his age and subsequent influence. University of Birmingham. Ph.D.

Green, Charles Adam (2020). John Donne's commemorations: authorship and afterlife in early modern England. University of Birmingham. Ph.D.

Green, Lawrence C. (1999). The uses of pageantry: pageantry as production style in revivals of Shakespeare's second tetralogy on the English stage in the twentieth century. University of Birmingham. Ph.D.

Green, William ORCID: https://orcid.org/0000-0002-7955-1037 (2021). Thomas Middleton and the adaptation of Shakespeare: late Jacobean politics in print and performance, 1616-1623. University of Birmingham. Ph.D.

Greene, Rob (2020). The poetry school of experience. University of Birmingham. Ph.D.

H

Hagglund, Betty (2000). Tourists and travellers: women's non-fictional writing about Scotland 1770-1830. University of Birmingham. Ph.D.

Hale, Florence (1920). The influence of Latin drama on Elizabethan drama. University of Birmingham. M.Res.

Hall, Michael (2008). Francis Brett Young’s Birmingham: North Bromwich – City of Iron. University of Birmingham. Ph.D.

Halliday, Neil Edmund Bain (2020). Fatal consequences: Romantic confessional writing of the 1820s. University of Birmingham. Ph.D.

Hamilton, Paul (2015). America and the perverse Shakespearean imagination. University of Birmingham. Ph.D.

Hamlyn, Susan Katherine (1975). She stoops to conquer: the making of a popular success. University of Birmingham. M.A.

Hanmer, Rosalind Maria (2011). Understanding lesbian fandom: a case study of the Xena: Warrior Princess (XSTT) lesbian internet fans. University of Birmingham. Ph.D.

Harding , Joan Naunton (1949). A study of the development of the critical thought of Paul Elmer More. University of Birmingham. Ph.D.

Hardy, Elizabeth Jane Crawford (2022). Performing the presence of the female gap: accessing the excess in Victorian Shakespeare. University of Birmingham. Ph.D.

Harker, Karen Elizabeth (2021). Reconstructing Shakespearean soundscapes: tableaux vivants, incidental music, and expressions of national identity on the London stage, 1855-1911. University of Birmingham. Ph.D.

Harris, Nicola Joy (1998). 'The means of seeing' : looking at reality in the novels of Thomas Hardy. University of Birmingham. Ph.D.

Harris, Shelley-Anne (2011). Gender and religion in the Phoenix. University of Birmingham. M.Phil.

Harrison, Arthur Cyril (1920). Robert Southey and his poetry: a critical study. University of Birmingham. M.Res.

Harrison, Liam (2022). Late modernist styles: modernist legacies in post-millennial British and Irish literature. University of Birmingham. Ph.D.

Harrison, Rosanna Lucy Doris Colchester (2019). A study of George Wilson’s eighteenth-century narrative fans as prints and mobile conduct instructors. University of Birmingham. Ph.D.

Hart, Stuart Anthony (2018). Soteriology in Edmund Spenser's \(The\) \(Faerie\) \(Queene\). University of Birmingham. Ph.D.

Hartless, Harry (2022). Try to learn to let what is unfair teach you: an investigation into metafiction, self- consciousness and morality AND ‘A diamond geeza is a girl’s best friend’ a collection of short stories, vignettes and snapshots. University of Birmingham. Ph.D.

Hartwell, Jonathan William (2004). 'Skill in the construction' dramaturgy, ideology, and interpretation in Shakespeare’s late plays. University of Birmingham. Ph.D.

Hayes, Joanna Louise (2022). 'Forc'd to limb my own Child': Nathaniel Lee's reuse of The Massacre of Paris in The Princess of Cleve and The Duke of Guise. University of Birmingham. M.A.

Hayward, Wayne Clinton (1951). The Globe Theatre 1599-1608. University of Birmingham. Ph.D.

Hennessey, James Todd (2017). An examination of human anatomy in the drama of the early modern period. University of Birmingham. Ph.D.

Herbert, John Richard James (2013). A revaluation of E.M. Forster's fiction. University of Birmingham. Ph.D.

Hewitt, Alexandra (2023). Shakespeare’s self-fashioning: social identity and the interiors of the ‘new genrty’ house in early modern England, 1590-1620. University of Birmingham. Ph.D.

Higgins, Martin (2021). Idolatry, fetishism, and the drama of John Lyly. University of Birmingham. Ph.D.

Hildick-Smith, Georgina Elizabeth (2019). An essay on cultural criticism and sites of cultural production. University of Birmingham. M.A.

Hill, Christina Bernadette Thérèse (1975). A study of mesmerism and the literature of the 19th century, with particular reference to Harriet Martineau. University of Birmingham. M.A.

Hill, Christina Bernadette Thérèse (1977). A study of spiritualism in the life and work of Elizabeth Barrett Browning. University of Birmingham. Ph.D.

Hill, David Arthur (2012). A distrust of tradition: the study, performance and reception of Shakespeare in England in a context of social, political and technological change, 1919-1939. University of Birmingham. M.Litt.

Hill, Neville V.L. (1949). Some aspects of the style of John Webster : a study of The duchess of Malfi and The white devil. University of Birmingham. Ph.D.

Hilton, Laura Jayne (2011). The Gothic double in the contemporary graphic novel. University of Birmingham. Ph.D.

Hingley, George Clement (1912). Shakespeare's debt to classical antiquity. University of Birmingham. M.A.

Hinton, B.J.C (1980). Myth and legend in post-war English poetry. University of Birmingham. Ph.D.

Hinton, B.J.C (1975). The poetry of Thom Gunn. University of Birmingham. M.A.

Hipkins, Charles Hammond (1916). Wordsworth and his influence upon English poetry. University of Birmingham. M.A.

Hoare, Katharine Elizabeth (2012). ‘The book held me like a visit from an amusing, valued friend: the Inter-War Middlebrow novels of E. M. Delafield and E. H. Young. University of Birmingham. M.Phil.

Holland, Claire (2014). The Chinese fur trade in theatre: Made in China & responsive critical understanding. University of Birmingham. M.Res.

Hollis, Gavin Russell (2000). Stage directions: Shakespeare's use of the map. University of Birmingham. M.Phil.

Horn, Paul Matthew Austin (2009). Telepathy and the Visual in the Late Novels of Henry James. University of Birmingham. M.Phil.

Huang, Xiaomei (2023). Disciplinary and intra-disciplinary developmental variation in shell noun use in undergraduate student writing. University of Birmingham. Ph.D.

Hyde, Andrew P (2020). An epic redemption: Re-reading some aberrant eleventh- century bodies. University of Birmingham. Ph.D.

I

Iles, Katharine (2012). Constructing the eighteenth-century woman: the adventurous history of Sabrina Sidney. University of Birmingham. Ph.D.

Ingham, Anthea Margaret (2011). Algernon Charles Swinburne: the causes and effects of his Sapphic possession. University of Birmingham. Ph.D.

Ireson, Lucinda (2014). Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. University of Birmingham. Ph.D.

Irwin, Andrew (2023). A monstrous queer in heteronormative waters: using queer theory to deconstruct the representation of Voldemort’s body in the Harry Potter series. University of Birmingham. M.Res.

Ishikawa, Naoko (2011). The English clown: print in performance and performance in print. University of Birmingham. Ph.D.

Issa, Islam (2014). Transforming Paradise Lost: translation and reception of John Milton’s writing in the Arab-Muslim world. University of Birmingham. Ph.D.

Ito, Nabi (2023). Collaboration and ambiguity of authorship in the works of Simon Stephens. University of Birmingham. Ph.D.

Iwata, Yumiko (2009). Creating suspense and surprise in short literary fiction: a stylistic and narratological approach. University of Birmingham. Ph.D.

J

Jackson, Russell Bennett (1971). "Cymbeline" in the nineteenth century. University of Birmingham. M.Res.

Jackson, Russell Bennett (1975). Pictorial Shakespeare, 1880-1890: a study of major London productions. University of Birmingham. Ph.D.

Jeffery, Elizabeth Mary ORCID: https://orcid.org/0000-0001-8378-9892 (2021). Minority Shakespeare: a cultural study of translation and performance in Welsh, Euskara, and Te Reo Māori. University of Birmingham. Ph.D.

Jeffery, Heather Margaret (2010). Developing a play: A dance for Leningrad. University of Birmingham. M.Phil.

Jenner, Stephanie (2011). Identity and the Victorian woman poet: working in and against the poetess tradition. University of Birmingham. M.Phil.

Jones, Miranda Alice (2020). Engagements with the pastoral mode in the poetry and plays of Derek Walcott. University of Birmingham. Ph.D.

Jones, Natalie Linda (2013). The abortion trope: a study in contemporary criticism and nineteenth-century poetics. University of Birmingham. Ph.D.

Jones, Winifred Maria (1999). Shakespeare's dialogic stage: towards a poetics of performance. University of Birmingham. Ph.D.

Joshua, Essaka Cecilia (1995). The Pygmalion story in British literature until 1900, with special reference to the nineteenth century. University of Birmingham. Ph.D.

K

Kay, Laurence H. (1912). Lessing's knowledge and criticism of English Literature. University of Birmingham. M.A.

Keith, Richard Ian (2022). Accessing the power of the play: thoughts on intercultural Shakespeare from examining 'Hamlet' in Japan. University of Birmingham. Ph.D.

Kendall White, Cecilia (2014). 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. University of Birmingham. M.Phil.

Kermode, Lloyd Edward (1992). Trial by Jewry: the Jewish figure as subversive critic in the plays of the public theatre, 1580-1600. University of Birmingham. M.Phil.

Keskin Çolak, Ayşegűl (2012). Nugae Curialium reconsidered: John of Salisbury’s court criticism in the context of his political theory. University of Birmingham. M.Phil.

Ketterer, Elizabeth (2009). “Govern'd by stops, Aw'd by dividing notes" The functions of music in the extant repertory of the Admiral's men 1594-1621. University of Birmingham. Ph.D.

Kidnie, Margaret Jane (1996). A critical edition of Philip Stubbes's anatomie of abuses. University of Birmingham. Ph.D.

King, Gemma (2014). 'A hapless race’: supernatural social satire in May Kendall’s poetry. University of Birmingham. M.Phil.

King, Rosalie Sian (2020). The distribution and ownership of English chapbooks and other cheap print in south Wales and its borders 1660 to 1730: developmental influences on commerce, religion and education. University of Birmingham. Ph.D.

Kingsley-Smith, Jane Elizabeth (1999). Banishment in Shakespeare's plays. University of Birmingham. Ph.D.

Knott, Sue Marilyn (1998). Competing discourses of love and sexuality in the relationships between men and women in Renaissance drama. University of Birmingham. Ph.D.

L

Langdon, John Douglass (2017). Rejecting the Pale Companion: mythemes of immortality in and beyond William Shakespeare’s A Midsummer Night’s Dream. University of Birmingham. Ph.D.

Leslie Gibson, Joy (2019). Forgiveness and repentance in early modern drama. University of Birmingham. Ph.D.

Levy, Madeleine (2013). Inside the mind: realising ‘Dissociative identity disorder’ on stage and the challenges that came with it. Including the new play (Choices). University of Birmingham. M.Phil.

Linnemann, Emily Caroline Louise (2011). The cultural value of Shakespeare in twenty-first-century publicly-funded theatre in England. University of Birmingham. Ph.D.

Lion, Caroline (2021). Beyond Violence: "The Merchant of Venice". University of Birmingham. Ph.D.

Lockyer, Rebekah Lucy (2014). The music of prose: a reading of Ford Madox Ford's Parade's End. University of Birmingham. M.Phil.

Long, Hilary Edith W (2000). 'Acting good parts well': Sir Ian McKellen in Shakespeare. University of Birmingham. Ph.D.

Lowe, Katie Jemma (2011). 'That horror and doom very nearly related to Elizabethan tragedy': Djuna Barnes, T.S. Eliot, and the tragedies of relation. University of Birmingham. M.Phil.

Luo, Jian (2011). The narrative art of modernist fiction: A corpus stylistic and cognitive narratological approach. University of Birmingham. Ph.D.

M

MacDonald, Mary Jacqueline (2017). Silent shadows: supernumeraries in British court masques 1594-1640. University of Birmingham. Ph.D.

Mackenzie, Rowan Mia (2021). Creating Space for Shakespeare with Marginalised Communities. University of Birmingham. Ph.D.

Macphee, Wendy Jean (1996). Arcana in Shakespeare's comedies with specific reference to 'The Comedy of Errors' and 'A Midsummer Night's Dream'. University of Birmingham. Ph.D.

Manford, Alan (1981). A critical edition of Thomas Hardy's "A pair of blue eyes". University of Birmingham. Ph.D.

Mann, Katharine Hannah (2023). "Ay, in the temple, in the town, the field, you do me mischief": the representation of rape and threatened rape in Shakespeare's works. University of Birmingham. Ph.D.

Markus, Zoltan (1993). "Foolery, sir, does walk about the orb like the sun": fool-characters and comic dramatic structures in Hamlet, Twelfth night and Troilus and Cressida. University of Birmingham. M.Phil.

Martin, Philippa Adrienne (2007). The medieval house and curtilage: an investigation into domestic spaces in the English medieval romance. University of Birmingham. M.Phil.

Martinez, Aurora Faye ORCID: https://orcid.org/0000-0001-8524-4837 (2021). Some uses of pastoral: from Marvell to Wordsworth. University of Birmingham. Ph.D.

Maskew, Helen Patricia (2009). Shakespeare and the Earl of Warwick: the kingmaker in the Henry VI trilogy. University of Birmingham. Ph.D.

Masuo, Kishiko (1997). The two Japanese productions of Macbeth: Akira Kurosawa's Throne of Blood and Yukio Nevagawa's Ninaga Wa's Macbeth. University of Birmingham. M.Phil.

McAtear, James Doherty (2022). Andrew Wyntoun’s Original Chronicle: a study of the Chronicle and the significance of its compilational style. University of Birmingham. Ph.D.

McEvilla, Joshua (2010). Richard Brome, 1632-1659: reconceptualising Caroline drama through Commonwealth print. University of Birmingham. Ph.D.

McIlroy, Tara (2020). A study of university students in Japan: poetic engagement and English language learning. University of Birmingham. Ph.D.

McMahon, Victoria (2021). Menopausal shakespeare and the anxious womb. University of Birmingham. Ph.D.

Meimandi, Mohammad Nabi (2008). ‘Just as strenuous a nationalist as ever’, W.B. Yeats and postcolonialism: tensions, ambiguities, and uncertainties. University of Birmingham. Ph.D.

Meints Adail, Renata D. ORCID: https://orcid.org/0000-0002-3983-3339 (2019). Ulysses in paradise: Joyce’s dialogues with Milton. University of Birmingham. Ph.D.

Melnyk, Veronica (2002). 'Half fashion and half passion': the life of publisher Henry Colburn. University of Birmingham. Ph.D.

Mihara, Minoru (2006). The origin and the development of scholarly editing: a comparative study of ballad editing and Shakespeare editing in the eighteenth century. University of Birmingham. M.Phil.

Millard, Hannah Katherine (2022). The signficance of the wyrm in Early Medieval England. University of Birmingham. Ph.D.

Mills, Geoffrey Douglas (2019). Impostor – a campus novel; creative writing and English: frictions, histories and pedagogies in the Anglo-American academy. University of Birmingham. Ph.D.

Mitschke, Samantha (2010). Writing and developing a play: from initial idea to final draft & Roses on the wire. University of Birmingham. M.Phil.

Mobley, Gail Elaine (2017). The formation of the English literary canon in the seventeenth century (1640-1694). University of Birmingham. Ph.D.

Moden, Rebecca (2012). Illusion and reality in the fiction of Iris Murdoch: a study of The Black Prince, The Sea, The Sea and The Good Apprentice. University of Birmingham. M.Phil.

Momeni, Amin (2016). Safavid Persia and Persians on the Early Modern English stage: drama, and domestic and foreign policy, 1580-1685. University of Birmingham. M.Litt.

Momtaz, Eva Maliha (2023). Milton and the modern Muslimah: paradise lost and British-Asian Muslim women readers. University of Birmingham. Ph.D.

Monks, Philip (2018). The importance of the poetry book in the digital age. University of Birmingham. Ph.D.

Moore, Michael (2014). Style and experience as a dichotomy in criticism of the novels of Jean Rhys, Doris Lessing and J G Ballard. University of Birmingham. M.Phil.

Morrall, Heather (2011). Dorothy Richardson’s Pilgrimage: the superficial or the profound? University of Birmingham. M.Phil.

Moster, Brittany (2020). John Middleton Murry's Editorial Practices 1911-1927. University of Birmingham. Ph.D.

Murdoch, Emma Louise Annabel (2017). Madness, psychiatry and anti-psychiatry in English and French women’s writing and film. University of Birmingham. Ph.D.

Murray, Kathryn Emma Fleming (2012). Self-ordering creativity and an independent work space: Edna Clarke Hall’s poem pictures in the early 1920s. University of Birmingham. M.Phil.

N

Nagase, Mariko (2012). Literary editing of seventeenth-century English drama. University of Birmingham. Ph.D.

Nelson, Mary Elaine Sigmon ORCID: https://orcid.org/0009-0002-0169-0253 (2024). John Donne and music. University of Birmingham. Ph.D.

Newman, Harry Rex (2012). Impressive Shakespeare: sexual identity and impressing technologies in Shakespearean drama. University of Birmingham. Ph.D.

Nickson, Ian Martin ORCID: https://orcid.org/0000-0001-8271-7256 (2023). Manchester - Shakespeare's Victorian powerhouse. University of Birmingham. Ph.D.

Nishimoto, Kanako (2018). 'A Secret Weapon': Noel Coward's politics and anti-intellectualism in \(This\) \(Happy\) \(Breed\) and \(Peace\) \(in\) \(Our\) \(Time\). University of Birmingham. M.A.

Noble, Alexandra Helene (2007). Social convention and performance choices in three interpretations of Lady Macbeth: Sarah Siddons (1755-1832), Helen Faucit (1814-1898), and Ellen Terry (1847-1928). University of Birmingham. M.Phil.

Nogami, Katsuhiko (1989). A critical modern-spelling edition of John Ford's 'The Lady's Trial'. University of Birmingham. Ph.D.

O

O'Brien, Richard Thomas (2017). Shakespeare and the development of verse drama, 1660-2017. University of Birmingham. Ph.D.

O'Connor, Elizabeth Rose (2020). H.D. and the shore: an ecocritical study. University of Birmingham. Ph.D.

O'Connor, John (1999). Shylock: a performance history with particular reference to London and Stratford-upon-Avon 1879-1998. University of Birmingham. Ph.D.

O'Connor, Miriam (2015). A study of women in eight English domestic tragedies 1590-1642. University of Birmingham. M.Phil.

O'Mara, Timothy John (2011). An edition of the Middle English Pains of Sin from Cambridge, Magdelene College Library, Ms Pepys 2498. University of Birmingham. M.Phil.

Ohno, Tatsuhiro (2019). The parable of the prodigal son in the fiction of Elizabeth Gaskell. University of Birmingham. M.Litt.

Okan, Olgaokan (2017). Narrative constructions of female identity after suicide. University of Birmingham. Ph.D.

Olive, Sarah Elizabeth (2011). Shakespeare valued: policy, pedagogy and practice in English education, 1989-2009. University of Birmingham. Ph.D.

Oliver, Emily Kate (2013). Shakespeare and German reunification: the interface of politics and performance. University of Birmingham. Ph.D.

Oram, Yvonne (2002). Older women in Elizabethan and Jacobean drama. University of Birmingham. Ph.D.

Orford, Peter Robert (2006). Rewriting history: exploring the individuality of Shakespeare's history plays. University of Birmingham. Ph.D.

Over, Jeremy (2020). Light as air: a poetics of wonder in the work of Ron Padgett. University of Birmingham. Ph.D.

P

Palmer, Charlotte Marie (2024). Strangers and strange spaces: land, people, and power in the Medieval Gawain romances. University of Birmingham. Ph.D.

Parker, Sarah Louise (2012). The lesbian muse: homoeroticism, female poetic identity and contemporary muse figures. University of Birmingham. Ph.D.

Parkinson, Cheryl Diane (2021). I. Berthas and II. Exploring the fictional origins of stereotypes of The Angry Black Woman and The Strong Black Woman. University of Birmingham. Ph.D.

Parr, Richard (2019). An examination of connections between Robert Southwell and William Shakespeare. University of Birmingham. Ph.D.

Peernajmodin, Hossein (2002). Orientalist representations of Persia in the works of Spenser, Marlowe, Milton, Moore and Morier. University of Birmingham. Ph.D.

Pegum, Caroline (2010). The artistic and literary career of Charles Jervas (c.1675-1739). University of Birmingham. M.Phil.

Pellone, Elena M. (2023). Directorless Shakespeare. University of Birmingham. Ph.D.

Pengelly, Tanya Ruth (2022). 'Mr London' and eight tropes of friendship narratives. University of Birmingham. Ph.D.

Phillips, James (2018). The enemy within: Division and betrayal in literature of the Second World War. University of Birmingham. Ph.D.

Pick, Peter Richard (2000). Interjections of silence: the poetics and politics of radical protestant writing 1642-1660. University of Birmingham. Ph.D.

Pirie, Jessica Kate Bentley (2019). Princes, power, and politics in the early plays of Aphra Behn. University of Birmingham. Ph.D.

Pittaway, Sarah Louise ORCID: https://orcid.org/0000-0001-6421-3871 (2011). The political appropriation of Lydgate’s Fall of Princes: a manuscript study of British Library, MS Harley 1766. University of Birmingham. Ph.D.

Platt, Peter (1957). English and French theories of tragedy and comedy: based on the appreciation of Shakespeare in France: with special reference to Hamlet, Othello, Macbeth, King Lear, The taming of the shrew, A midsummer nights dream, The falstaff plays, As you like it, Measure for measure. University of Birmingham. Ph.D.

Pope, Morgan Robin (2023). Reclaiming Apocalypse: Representation of Neurodiversity in Apocalyptic Fiction. University of Birmingham. M.A.

Porter-Salmon, Emily (2011). Textual cues, visual fictions: representations of homosexualities in the works of David Hockney. University of Birmingham. Ph.D.

Pracy, Elizabeth Patricia (1999). An analysis of a notebook of James Orchard Halliwell-Phillipps. University of Birmingham. M.Phil.

Prescott, Holly (2011). Rethinking urban space in contemporary British writing. University of Birmingham. Ph.D.

Price, M.A. (1964). The status and function of minstrels in England between 1350 and 1400. University of Birmingham. M.A.

Pérez Díez, José Alberto (2015). Love’s cure, or the Martial Maid by John Fletcher and Philip Massinger: a modern-spelling critical edition. University of Birmingham. Ph.D.

Q

Quinn, Anne P (2019). Out of time and into history: representations of changing identity in twenty-first-century Irish literature. University of Birmingham. Ph.D.

R

Ranger, Holly Anne (2013). An intertextual analysis of the novel Girl Meets Boy and the use of feminist and queer theory by Ali Smith in her reception of the tale of Iphis from Ovid's Metamorphoses (9.666-797). University of Birmingham. M.Phil.

Redhead, Charles (2014). 'Butcher' and ‘The duchess, the queen, the whore and the housewife: revenge tragedy and its place in contemporary theatre’. University of Birmingham. M.Res.

Reed, Harriet Anne (2021). A borderline crisis in language: the Calais Jungle, the ‘refugee crisis’ and the changing landscape of humanitarian aid. University of Birmingham. Ph.D.

Reeve-Tucker, Alice Glen (2012). Evelyn Waugh, Graham Greene, and Catholicism: 1928-1939. University of Birmingham. Ph.D.

Reynolds, Jonathan H. (2023). Veritas Aequitas: The ethics of adapting Nineteenth Century literary history into narrative forms. University of Birmingham. Ph.D.

Richardson, Patricia (2004). The monstrous in Shakespeare. University of Birmingham. M.Litt.

Ridge, Kelsey (2019). “Our great captain’s captain”: Shakespeare’s military spouses and the war on terror. University of Birmingham. Ph.D.

Ritchie, Stefka (2014). Samuel Johnson: a promoter of social improvement. University of Birmingham. Ph.D.

Roberts, Ellen Frances (2020). Where couldst thou words of such a compass find?: an investigation into Milton’s neologisms in the OED in relation to his contemporaries. University of Birmingham. M.A.

Roberts, John Wolfgang (2020). Diffracting (meta)‘fictions’: performativity, neocybernetics, diffraction, and the living practice/s of story through select metafictional novels. University of Birmingham. Ph.D.

Roberts, Marion (2011). Close encounters: Anna Seward, 1742–1809, a woman in provincial cultural life. University of Birmingham. M.Litt.

Robertshaw, Sophia Florrie (2013). Cinematic Hardy: an artist ahead of his time? University of Birmingham. M.Phil.

Robinson, Emma Louise (2017). Liberty compromised? George Orwell, English Law and the Second World War. University of Birmingham. Ph.D.

Robinson, Moira C. (2002). Popular fiction and publishing 1960s-1990s. University of Birmingham. M.Litt.

Roper, Margaret Mary (2013). Shakespeare and contemporary adaptation: the graphic novel. University of Birmingham. Ph.D.

Ross, Lizzie Louise (1912). The effect of the advance in scientific knowledge upon seventeenth century literature. University of Birmingham. M.A.

Roulstone, Anthony Richard (1969). Children and parents in the works of Charles Dickens. University of Birmingham. M.A.

Routledge, Amy (2014). ‘Dress and undress thy soul’: nakedness and theology in early modern literature and culture. University of Birmingham. Ph.D.

Rozier, Emily Jane (2016). The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure. University of Birmingham. Ph.D.

S

Salhi, Sourour (2023). Towards an appraisal of the African past: a postcolonial comparative study of Franco-Algerian and Anglo-Nigerian literatures from subalternity to ‘hybrid affirmation’. University of Birmingham. Ph.D.

Sanderson, John Russell (1975). The Elizabethan and Jacobean two-part play: a study of the composition and structure of dramatic sequels. University of Birmingham. Ph.D.

Sato, Yumi (1991). The Duchess of Malfi at Stratford. University of Birmingham. M.Phil.

Schnabel, Stephanie Michaela (2012). Narrative strategies in Shakespearean productions on twenty-first-century European stages. University of Birmingham. M.Litt.

Scholey, Anna (2009). Magical rings in Middle English romance: an interdisciplinary study in Medieval literature and material culture. University of Birmingham. M.Phil.

Seitz, Emily Lynne (2022). Cultivating the Bard: The construction of Shakespeare in the long eighteenth century. University of Birmingham. Ph.D.

Seo, Dong Ha (2011). Military culture of Shakespeare's England. University of Birmingham. Ph.D.

Sewell, Janice (2003). The art of imitation in the order of things: poetry, rhetoric, and the discursive formation of English. University of Birmingham. Ph.D.

Shammout, Hekmat (2018). Politics, oppression and violence in Harold Pinter's plays through the lens of Arabic plays from Egypt and Syria. University of Birmingham. M.A.

Sharrett, Elizabeth (2014). Beds as stage properties in English Renaissance drama: materializing the lifecycle. University of Birmingham. Ph.D.

Sharrock, Elizabeth Anne (2021). Framing Shakespeare: live theatre broadcast paratexts and Shakespearean value. University of Birmingham. Ph.D.

Shield, Arthur Ronald Pennell (1939). Jonathan Swift, 1696 - 1717: early satires and politics. University of Birmingham. M.A.

Sidaway, Adam James (2011). Madness, badness, sadness: Aldous Huxley and the shifting shadow of psychoanalysis. University of Birmingham. M.Phil.

Singleton, Brian Robert (1988). The interpretation of Shakespeare by Ariane Mnouchkine and the Theatre du Soleil. University of Birmingham. Ph.D.

Skelt, Joanna Kay (2014). The social function of writing in post-war Sierra Leone: poetry as a discourse for peace. University of Birmingham. Ph.D.

Smallwood, R.L. (Robert Leo) (1963). Lord Burghley as patron of religious literature. University of Birmingham. M.A.

Smith, Alexandra Margaret (2022). Facial colouring body language in Jane Austen. University of Birmingham. M.A.

Smith, Gwendoline P. Vingoe (2004). The making of Shakespeare's genius. University of Birmingham. M.Litt.

Soares dos Santos , Marlene (1980). Theatre for Tudor England: an investigation of the ideas of Englishness and foreignness in English drama c.1485 - c.1592, with particular reference to the interludes. University of Birmingham. Ph.D.

Southall, R. (1961). The nature and significance of rhythm in the poetry of Sir Thomas Wyatt: (with transcripts of two principal manuscripts). University of Birmingham. Ph.D.

Stainthorp, Clare Georgina (2017). ‘These seemingly rival spheres constitute but one cosmos’: Constance Naden as scientist, philosopher, and poet. University of Birmingham. Ph.D.

Stanton, Renée Jane (2016). Pilgrimage and its paratexts. University of Birmingham. Ph.D.

Steele, Jeffrey Callaway (2009). The fascination of evil: mental malpractice in Shakespearean tragedy. University of Birmingham. Ph.D.

Steinmetz-Ardaseer, Yvonne (1999). The creative reception of William Shakespeare in the Netherlands: the case of Arthur Van Schendel. University of Birmingham. M.Litt.

Steinmetz-Ardaseer, Yvonne (1994). The importance of the subplot as a convention in English Renaissance drama. University of Birmingham. M.Phil.

Stewart, Alison (2015). The development of the pre-show in English Shakespearean performance, 1932-2014. University of Birmingham. Ph.D.

Stewart, Rachel Emily (2020). Performing 'madness' in major London and RSC productions of Hamlet, 1959-2019. University of Birmingham. Ph.D.

Stoker, Polly (2019). Classical reception in contemporary women's writing: emerging strategies from resistance to indeterminacy. University of Birmingham. Ph.D.

Stone, David M. (1987). Pericles on the English stage 1900-1984. University of Birmingham. M.Phil.

Storm, Marjolijn (2012). Agatha Christie's 'The Mysterious Affair at Styles': a case study in Dutch and German translation cultures using corpus linguistic tools. University of Birmingham. Ph.D.

Symons, Abigail (2014). Losing it. University of Birmingham. M.Phil.

T

Tasker, Janet Elizabeth (2022). The presence of God in post-reformation English drama, 1559 - 1642. University of Birmingham. Ph.D.

Tepe, John Bright (2010). Literary urbanism, visuality and modernity. University of Birmingham. Ph.D.

Thomas, Lindsey Catherine (2010). Shakespeare productions in England 1909-1932 and the visual arts: the work of Ricketts, Wilkinson, Lovat Fraser and Shelving. University of Birmingham. Ph.D.

Thompson, Aidan Philip (2015). ‘A poem should not mean, but be’: poetic form vs. content in Algernon Charles Swinburne. University of Birmingham. M.Phil.

Thongpanich, Pancharle (2019). Writing Thailand: a creative exploration of Thai cultural identity in the form of English-language short fiction and non-fiction. University of Birmingham. Ph.D.

Troupp, Lotte (1992). A moral idea of language in Shakespeare’s The Tempest. University of Birmingham. Ph.D.

V

Vetri, Valentina (2021). Translation as dissent and as self-representation in the works of Beppe Fenoglio. University of Birmingham. Ph.D.

Vincent, Emily ORCID: https://orcid.org/0000-0001-6369-8993 (2024). Confronting child loss: the impulse to spiritualism in late nineteenth-century women's ghost stories. University of Birmingham. Ph.D.

W

Waddell, Nathan Joseph (2010). Modernism and utopia, 1900-1920: politics and social betterment in early modernist writing. University of Birmingham. Ph.D.

Waddell, Nathan Joseph (2007). Paranoia, power and male identity in John Buchan's Literary War. University of Birmingham. M.Phil.

Wakasa, Tomoko (2011). Swords in early modern English plays. University of Birmingham. M.Phil.

Walker, Judith Elaine (2005). 'To amaze the people with pleasure and delight': an analysis of the horsemanship manuals of William Cavendish, first Duke of Newcastle (1593-1676). University of Birmingham. Ph.D.

Walker, Judith Elaine (1996). 'Torment to a restlesse mind': an analysis of major themes in Poems and Fancies (1653) by Margaret Cavendish. University of Birmingham. M.Phil.

Wallis, Sarah Jane (2010). The bee charmer, a full length play for the stage. University of Birmingham. M.Phil.

Walls, M. (1986). The Renaissance hermetic tradition in Shakespeare’s plays. University of Birmingham. M.Res.

Walters, Harriet (2023). Rural self-placing: history and narrative in the modern country garden. University of Birmingham. Ph.D.

Ward, Mary Elizabeth (2018). Forests of thought and fields of perception: landscape and community in Old English poetry. University of Birmingham. Ph.D.

Wawn, Andrew Nicholas (1969). The Plowman's Tale [critical edition]. University of Birmingham. Ph.D.

Webber, Jennifer Claire (2020). What has directors’ theatre done to Shakespeare on the 21st century stage? An examination of the effect on the text and performance of Shakespeare in three contemporary productions. University of Birmingham. M.A.

Weiss, David S. (2018). Samuel Daniel's \(First\ Four\) \(Books\) \(of\) \(the\) \(Civil\) \(Wars\) and Shakespeare's early history plays. University of Birmingham. Ph.D.

Wells 1930-, Stanley W. (1961). Perymedes the Blacksmith and Pandosto by Robert Greene. University of Birmingham. Ph.D.

Westh, Sara Marie (2020). Authorial intent: a historical survey. University of Birmingham. Ph.D.

Westlake, Elizabeth (1993). Learn to live and learn to die: Heinrich Suso's Scire Mori in fifteenth century England. University of Birmingham. Ph.D.

Westlake, John H.J. (1970). A Shakespeare grammar (Part 1). University of Birmingham. Ph.D.

Westlake, John H.J. (1966). A study of Shakespeare criticism in the Jahrbuch 1865-1914. University of Birmingham. M.A.

Westwood, Nicola (2023). Emotion in abolitionist literature during the British slavery debate, 1770-1833. University of Birmingham. Ph.D.

Whitworth, Charles Walters (1978). The literary career of Thomas Lodge, 1579-1596: studies of the plays, prose fiction and verse. University of Birmingham. Ph.D.

Wilcher, Robert (1967). Natural details in the poetry of Andrew Marvell. University of Birmingham. M.A.

Wilcher, Robert (1972). The use of natural details in English poetry: 1645-1668. University of Birmingham. Ph.D.

Williams, Helen (2015). Everyday experiences of medicine and illness in the novels of Wilkie Collins. University of Birmingham. Ph.D.

Williams, Margaret Ellen (1992). 'A play is not so ydle a thing': the dramatic output and theatre-craft of Nathan Field. University of Birmingham. Ph.D.

Williams, Victoria Rose (2021). Frameless fictions: embodiment, affect, and unruly encounters in VR and virtual environments. University of Birmingham. Ph.D.

Wilson, Frank Percy (1912). A study of the prose works of Thomas Dekker. University of Birmingham. M.A.

Woolf, Paul Jonathan (2007). Special relationships: Anglo-American love affairs, courtships and marriages in fiction, 1821-1914. University of Birmingham. Ph.D.

Y

Yacowar, Maurice (1968). John Lyly and the uses of irony. University of Birmingham. Ph.D.

Yamada, Akihiro (1976). Bibliographical studies in the plays of George Chapman. University of Birmingham. Ph.D.

Yeh, Te-Han (2013). Textual and narrative space in professional dramas in early modern England. University of Birmingham. Ph.D.

Yin, Winifred Wei-fang (1992). A nightmare for a century? 'Two Gents' at Stratford. University of Birmingham. M.Phil.

Yin, Winifred Wei-fang (1999). Beyond the point of childishness. University of Birmingham. Ph.D.

Yip, Hannah Sze-Munn ORCID: https://orcid.org/0000-0001-5843-044X (2021). 'Speaking now to our eyes': visual elements of the printed sermon in early modern England. University of Birmingham. Ph.D.

Young, David John (2011). The Gloss and glossing: William Langland's Biblical hermeneutic. University of Birmingham. Ph.D.

Young, Primrose (2013). ‘The still point of the turning world': a comparative investigation of the portrayal of cyclical time and rebirth in T. S. Eliot’s 'The Waste Land' and Thomas Mann’s 'Der Zauberberg'. University of Birmingham. M.Phil.

Young, Primrose May Deen (2017). Bourgeois ambivalence: a comparative investigation of Thomas Mann’s Der Zauberberg and T. S. Eliot’s The Waste Land. University of Birmingham. Ph.D.

Z

Zhang, Dandan (2018). F. R. Leavis and T. S. Eliot: Literary criticism, culture and the subject of 'English'. University of Birmingham. Ph.D.

Zizzari, David (2022). The arrival of the experiential consumer: a journey through modernist commercialism and literary modernism. University of Birmingham. Ph.D.