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Aguirre, Antony (2023). Reimagining the performance of song in light of pedagogical developments at the Nordic school of visa: a songpoetics. University of Birmingham. M.A.
Caruana, Roberta Anne (2018). Chamber music from Malta: introduction and survey. University of Birmingham. M.A.
Curran, Sara (2016). 'Why aren't we doing more with music?' An exploration of two integrative mainstream - special school music projects. University of Birmingham. Ph.D.
Dunster-Sigtermans, Richard (2017). Developments in British organ design 1945-1970: a player’s perspective. University of Birmingham. Ph.D.
Fallowfield, Ellen (2010). Cello map: a handbook of Cello technique for performers and composers. University of Birmingham. Ph.D.
Holmes, Shannon Georgene (2020). Ephemeral repetitions; deconstructing vocal technique and freeing spontaneous expression for authentic vocal performance. University of Birmingham. Ph.D.
Lucas, Flora May (2016). Franz Keyper: Concerto No. 1 for double bass. University of Birmingham. M.Phil.
Miles, Natasha Frances (2014). Approaches to accompaniment on the baroque guitar c.1590-c.1730. University of Birmingham. Ph.D.
Miles, Natasha Frances (2011). The baroque guitar as an accompaniment instrument for song, dance and theatre. University of Birmingham. M.Phil.
Nikolopoulos, Georgios (2021). A collection of musical works composed by the use of computer music applications and technology. University of Birmingham. Ph.D.
Rushton, Rosie ORCID: https://orcid.org/0000-0001-9657-2932 (2024). Exploring the impact of music on the play experiences of children and young people with profound and multiple learning disabilities (PMLD) and their supporting staff. University of Birmingham. Ph.D.
Sequera, Hector (2010). House music for recusants in Elizabethan England: performance practice in the music collection of Edward Paston (1550-1630). University of Birmingham. Ph.D.
Soares da Ponte, Angela Maria (2016). Ensaios sobre cantos, portfolio of musical compositions influenced by traditional music from the Azores. University of Birmingham. Ph.D.
Squillante, Maurizio (2012). The Wings of Daedalus and Alexandros: two tragic operas inspired by the theory of the affections. University of Birmingham. Ph.D.
Tarren, Christopher James (2014). Time, Space, Memory: A portfolio of acousmatic compositions. University of Birmingham. Ph.D.
Tienstra, Rens (2016). The late choral works of Ton de Leeuw: an analytical study. University of Birmingham. M.A.
Vuksic, Valentina (2023). The (troubled) sonicity of the computational through sites of crosstalking. University of Birmingham. Ph.D.