Items where Subject is "M Music and Books on Music > ML Literature of music"

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Armstead, Charlie (2023). Exploring the reception of foreign language music in the English-speaking world with the use of Digital Humanities techniques. University of Birmingham. M.A.

Atkinson, Peter John (2017). Regeneration and re-enchantment: British music and Wagnerism, 1880–1920. University of Birmingham. Ph.D.

B

Baker, Adrian Michael (2022). Mimicry, manipulation and mutation: a portfolio of eclectic compositions. University of Birmingham. Ph.D.

Barry, Michael Anthony (2015). Acting in opera: a consideration of the status of acting in opera production and the effect of a Stanislavski inspired rehearsal process. University of Birmingham. M.Phil.

Beat, Janet Eveline (1968). The development of the orchestra and orchestration in Italian opera : c.1600-c.1750. University of Birmingham. M.A.

Berg, Mie Othelie (2022). 'A moral weapon': the civic organ tradition in the Midlands, 1834-1901. University of Birmingham. Ph.D.

Borin, Alessandro (2012). Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. University of Birmingham. M.Phil.

Bornstein, Andrea (2001). Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744). University of Birmingham. Ph.D.

C

Chaddock, Edward James Michael (2011). Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. University of Birmingham. M.Phil.

D

Deere, Joanne E (2010). Form and Programme in Liszt’s Hamlet: A New Perspective. University of Birmingham. M.Mus

Diaper, Jeremy Charles Rupert (2011). Four Quartets: vers libéré, musicality and belief. University of Birmingham. M.Phil.

Donworth, Koma S (2023). English musical antiquarianism in the long eighteenth century: religio-political and sociological undercurrents. University of Birmingham. Ph.D.

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Fernandez, Julian (2022). Stephen Sondheim: identity construction in the context of postmodernism. University of Birmingham. M.A.

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Ghelani, Tilusha (2002). Performing 'blackness': the appropriation of commodified African-American culture by South Asian youth in Britain. University of Birmingham. M.Phil.

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Hedger, Eleanor (2021). Soundscapes of punishment in Early Modern England. University of Birmingham. Ph.D.

Hiley, Diane Wendy (2010). Ways of integrating musical systems: a portfolio of compositions. University of Birmingham. M.Mus

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Jeon, Jihun (2024). A thematic Catalogue of British String Quartets of the early Twentieth Century and an account of the some of their contexts: 1890-1950. University of Birmingham. Ph.D.

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Langfield, Valerie Gail (2004). Roger Quilter 1877-1953: his life, times and music. University of Birmingham. Ph.D.

Li, Na (2018). From Shanghainese pops and Northwest Wind to China Wind: the identity and connotation of Chinese style popular music. University of Birmingham. Ph.D.

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Morimoto, Yota (2015). Portfolio of compositions. University of Birmingham. Ph.D.

Mott, Maxine Elizabeth (1991). The choral works of Robert Schumann (1810-56). University of Birmingham. Ph.D.

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Needham, Clare Louise (2012). A critical edition of Johann Caspar Kerll’s Missa a Tre Chori. University of Birmingham. M.Mus

Nelson, Mary Elaine Sigmon ORCID: 0009-0002-0169-0253 (2024). John Donne and music. University of Birmingham. Ph.D.

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Olivetti, Paola (2011). Uses and interpretations of ritual terminology: goos, oimoge, threnos and linos in ancient Greek literature. University of Birmingham. Ph.D.

Osiebe, Garhe Victor (2016). Political music genres in postcolonial Nigeria, 1960-2013. University of Birmingham. Ph.D.

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Poepel, Cornelius (2011). An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers. University of Birmingham. Ph.D.

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Rodrigues, Ruth Elizabeth (2010). Selected students of Leopold Auer: a study in violin performance-practice. University of Birmingham. Ph.D.

Rudeforth, Helen Elizabeth (1999). Words, ideas and music : a study of Tchaikovsky's last completed work, the Six Songs, Opus 73. University of Birmingham. Ph.D.

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Sanders-Hewett, Martin (2015). Context and analysis: an investigation of the sonata-form movements for piano by Joaquín Turina (1882-1949). University of Birmingham. M.Mus

Simmons, Alexander (2013). Erik Satie's Trois Gnossiennes in the French fin de siècle. University of Birmingham. Ph.D.

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Tanner, Julie (2015). ‘Continvaunce of remembraunce’: an edition and discussion of lyrics from the Findern Manuscript (CUL MS Ff.I.6). University of Birmingham. M.Res.

Thomas, Gareth James (2005). The impact of Russian music in England 1893-1929. University of Birmingham. Ph.D.