Fernandez, Julian (2022). Stephen Sondheim: identity construction in the context of postmodernism. University of Birmingham. M.A.
|
Fernandez2022MAbyRes.pdf
Text - Accepted Version Available under License All rights reserved. Download (5MB) | Preview |
Abstract
Musical theatre lyricist and composer Stephen Sondheim pioneered the sophisticated characterisation of emotional complexity in the second half of the 20th Century. His work embodies the postmodern perspective, which views identity as a fluid, multi-faceted construct, disconnected from totalising homogenous structures. It is against this background that my thesis aims to investigate Sondheim’s methods of identity construction. In my analysis I will discuss key songs and self-revelatory moments in the musicals Company, A Little Night Music, Sweeney Todd- the Demon Barber of Fleet Street and Into the Woods, focusing on lyrical and musical characterisation, while considering the performative and constructive layers of identity. My results show that Sondheim sets himself musical, structural and stylistic limitations with the sole purpose of breaking them. Thus, he allows his characters to develop beyond their pre-determined narratives and constructing their identities in the process.
Type of Work: | Thesis (Masters by Research > M.A.) | ||||||
---|---|---|---|---|---|---|---|
Award Type: | Masters by Research > M.A. | ||||||
Supervisor(s): |
|
||||||
Licence: | All rights reserved | ||||||
College/Faculty: | Colleges (2008 onwards) > College of Arts & Law | ||||||
School or Department: | School of English, Drama and Creative Studies, Department of Drama and Theatre Arts | ||||||
Funders: | None/not applicable | ||||||
Subjects: | M Music and Books on Music > ML Literature of music | ||||||
URI: | http://etheses.bham.ac.uk/id/eprint/12895 |
Actions
Request a Correction | |
View Item |
Downloads
Downloads per month over past year