Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work

Moyers Jr., Timothy Scott (2016). Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. University of Birmingham. Ph.D.

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Abstract

One of the primary focuses in the works presented and discussed herein is the juxtaposition of many disparate musical styles, recordings, and sound worlds within each individual piece. This juxtaposition extends to combining live improvisation meticulously created non-realtime elements, and elements of generative processes in the creation of individual works. A secondary theme is my attitude to accessibility and how this informs my work with audiovisual elements.

Type of Work: Thesis (Doctorates > Ph.D.)
Award Type: Doctorates > Ph.D.
Supervisor(s):
Supervisor(s)EmailORCID
Harrison, JontyUNSPECIFIEDUNSPECIFIED
Licence:
College/Faculty: Colleges (2008 onwards) > College of Arts & Law
School or Department: School of Languages, Cultures, Art History and Music, Department of Music
Funders: None/not applicable
Subjects: M Music and Books on Music > M Music
N Fine Arts > N Visual arts (General) For photography, see TR
URI: http://etheses.bham.ac.uk/id/eprint/6697

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