Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

A

Abraham, Julia Ann Paige (2012). Transformation and Defiance in the Art Establishment. University of Birmingham. M.Phil.

Alobthani, Mohammed (2021). Branding the global image: filmmaking and complicating national identity in the UAE. University of Birmingham. Ph.D.

Arca, Silvia (2019). Spirituality and contemporary art. University of Birmingham. M.A.

Attard, Angelica (2015). Art and adaptation to psychosis: art therapy as a treatment method, drawings as a research method. University of Birmingham. Clin.Psy.D.

B

Barnett, Katie (2013). Fathering the future: masculine survival and paternal restoration in 1990s Hollywood. University of Birmingham. Ph.D.

Beddoes, Emalee (2014). The art of tea: late Victorian visual culture and the normalization of an international national icon. University of Birmingham. M.Phil.

Bicknell, Samuel (2011). (Re)presenting drama: adaptation in postdramatic theatre. University of Birmingham. M.Phil.

Boscaino, Mattia (2022). Exploring street art in the digital era: how the value of street art is co-created. University of Birmingham. Ph.D.

Bruce, Matthew (2019). In search of le secret perdu: how French film director, François Truffaut, was influenced by silent cinema. University of Birmingham. M.A.

Buttery, Ruth Marie (2010). Tilman Riemenschneider's monochrome sculpture: an examination of its origin. University of Birmingham. M.Phil.

C

Carta, Silvio (2012). Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology. University of Birmingham. Ph.D.

Chen, Hui-Han (2021). From hesitation to resistance: slow world cinemas' transnational politics. University of Birmingham. Ph.D.

Church, Chloe Alice (2017). Modes of visual biblical interpretation in the Lutheran and Counter Reformations. University of Birmingham. M.A.

Clancy, Hannah Elizabeth (2010). The historical re-evaluation of cultural heritage in modern post conflict situations. University of Birmingham. M.Phil.

Clegg, Michael (2021). ‘The poor man’s picture gallery': an enquiry into artists’ printmaking and print images in the cultural and political context of post-war Britain, 1945-60. University of Birmingham. Ph.D.

Comer, Hannah (2020). The Pre-Raphaelite legacy in modernism. University of Birmingham. Ph.D.

Cook, Catherine (2015). The apocalyptic landscapes of Ludwig Meidner. University of Birmingham. M.Res.

Corrigan, Imogen Jane Barbara Antonia (2020). The function and development of the Foliate Head in English medieval churches. University of Birmingham. M.Litt.

Cowley, Robert L.S (1977). A review of William Hogarth's Marriage à la Mode with particular reference to character and setting. University of Birmingham. Ph.D.

Cowley, Robert L.S (1972). An examination and interpretation of narrative features in 'A Rake's Progress'. University of Birmingham. M.A.

Cox, Pamela (2014). An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night. University of Birmingham. M.Phil.

Crilley, Rhys (2016). The visual politics of legitimation in the digital age: the cases of the British Army and the Syrian Opposition. University of Birmingham. Ph.D.

D

Dai, Lisi (2012). The Chinese Little Theatre movement from 1980s to present. University of Birmingham. M.Phil.

Dudley, Lauren Louise (2014). France in ruins: paintings by Hubert Robert c.1786-1788. University of Birmingham. M.Phil.

E

Edwards, Jamie Lee (2017). Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’. University of Birmingham. Ph.D.

Etienne-Manley, Mara (2023). Caribbean representation on BBC television: a case study of Small Axe pentalogy. University of Birmingham. M.A.

F

Fogarty, Barbara (2011). Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. University of Birmingham. M.Phil.

Freijo Escudero, Luis ORCID: https://orcid.org/0000-0003-2618-4779 (2023). De-Westernising the Western: remapping genre and nation in World Cinema. University of Birmingham. Ph.D.

Freijo Escudero, Luis Antonio ORCID: https://orcid.org/0000-0003-2618-4779 (2019). A gun of one's own: gender representation in contemporary Westerns. University of Birmingham. M.A.

G

Georgiou, Andriani (2013). The cult of Flavia Iulia Helena in Byzantium: an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century. University of Birmingham. Ph.D.

Greensted, Mary (2010). The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930). University of Birmingham. M.Phil.

H

Harrison, Rosanna Lucy Doris Colchester (2019). A study of George Wilson’s eighteenth-century narrative fans as prints and mobile conduct instructors. University of Birmingham. Ph.D.

Hausmann, Michael (2011). Johanna Ey: a critical reappraisal. University of Birmingham. Ph.D.

Hegenbarth, Carly Louise (2016). Catholic emancipation and British print cultures, 1821-9. University of Birmingham. Ph.D.

Hemsoll, David E. (2015). Studies in architectural and artistic imitation during the time of Raphael and Michelangelo. University of Birmingham. Ph.D.

Humphreys-Lamford, Rebecca ORCID: https://orcid.org/0000-0002-5500-0898 (2024). Televising asexuality: retracing a history of asexual representations on British television. University of Birmingham. M.A.

Hussain, Muayad H. (2012). Modern art from Kuwait: Khalifa Qattan and Circulism. University of Birmingham. Ph.D.

I

Ireson, Lucinda (2014). Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. University of Birmingham. Ph.D.

J

Jarratt-Knock, David George (2014). The 'cornett': diversity of form, function and usage as portrayed in organological and iconographical sources, c.1500-c.1800. University of Birmingham. M.Mus

Jones, Victoria Grace (2014). Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815. University of Birmingham. Ph.D.

Justice, Rebecca Claire (2017). Falling through the meshwork: images of falling through 9/11 and beyond. University of Birmingham. Ph.D.

K

Kekis, Olga (2010). MEDEA adapted: the Subaltern Barbarian speaks. University of Birmingham. M.Phil.

Konis, Polyvios (2010). From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. University of Birmingham. Ph.D.

L

Langley, Richard Mark (2012). Ameritocracy: Hollywood blockbusters and the universalisation of American values. University of Birmingham. Ph.D.

M

MacCulloch, Laura (2010). Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. University of Birmingham. Ph.D.

MacMichael, Kristine Alyce (2021). Memory and death: an analysis of Christian Boltanski’s art. University of Birmingham. Ph.D.

Mattiello, Andrea (2018). Latin \(Basilissai\) in Palaiologan Mystras: Art and agency. University of Birmingham. Ph.D.

Miao, Hui (2012). In-visibility: the sentimental in Chinese cinema since the 1990s. University of Birmingham. Ph.D.

Michael, Georgia (2017). Imaging divinity: the ‘invisible’ Godhead in early Christian art c.300-c.730. University of Birmingham. Ph.D.

Moore, Daniel Thomas (2008). "There are yet other kinds of work which may be done?" : aesthetic history and the representation of the Italian past, 1850-1935. University of Birmingham. Ph.D.

Morgan, Francesca Patricia (2023). Defining a wave? The visual culture and artistic practices of fourth wave feminism. University of Birmingham. Ph.D.

Moyers Jr., Timothy Scott (2016). Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. University of Birmingham. Ph.D.

Murray, Sarah (2016). Using Video Enhanced Reflective Practice (VERP) to support the development of consultation and peer supervision skills. University of Birmingham. Ap.Ed.&ChildPsy.D.

P

Pearce, Katherine Louise (2016). Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach. University of Birmingham. M.A.

Phillips, Henrietta Phillipa Anne Malion (2017). Cultural representations of the Moors Murderers and Yorkshire Ripper cases. University of Birmingham. Ph.D.

Preston-Roberts, Abra Amata (2023). "I never wanted to be your mother!": Ambivalent Motherhood in 21st Century Horror Films. University of Birmingham. M.A.

R

Roberts, Richenda M. (2013). 'Art of a second order': the First World War from the British home front perspective. University of Birmingham. Ph.D.

Rozier, Emily Jane (2016). The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure. University of Birmingham. Ph.D.

S

Sinniah, Virgine Jesica Antonet (2013). Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam. University of Birmingham. Ph.D.

Sladen, Anna (2011). The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay. University of Birmingham. M.Phil.

Squire, Hannah (2015). French women artists of the Napoleonic era (1799 –1815). University of Birmingham. M.Res.

Stent, Sabina Daniela (2012). Women Surrealists: sexuality, fetish, femininity and female Surrealism. University of Birmingham. Ph.D.

Stevens, Jonathan (2021). 'Shadows and Silence Under Glass': On the British Lineage of Fernand Khnopff, Henri Le Sidaner and Frank Brangwyn's fin-de-siècle depictions of Bruges. University of Birmingham. M.Res.

Straw, Mark Christopher (2011). The damaged male and the contemporary American war film: masochism, ethics, and spectatorship. University of Birmingham. Ph.D.

T

Thom, Sara Elizabeth (2019). Commercialising culture: the sale, display and circulation of art in French, British and American department stores (1875-1914). University of Birmingham. Ph.D.

V

Vanni, Flavia ORCID: https://orcid.org/0000-0001-5884-9179 (2021). Byzantine stucco decoration (ca. 850-1453). cultural and economic implications across the Mediterranean. University of Birmingham. Ph.D.

Vendelmans, Mattias (2023). Pelle Swedlund. The artist and his work. University of Birmingham. M.A.

W

Wassersug, Yolana (2015). ‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642. University of Birmingham. Ph.D.

Wiltshire, Imogen (2017). Therapeutic art concepts and practices in Britain and the United States (1937-1946). University of Birmingham. Ph.D.

Z

Zheng, Jijie (2023). Contemporary Chinese art and The West: dialogues in the art of Cai Guo-Qiang, Xu Bing, Ai Weiwei and Zhang Xiaogang. University of Birmingham. M.A.