A monstrous queer in heteronormative waters: using queer theory to deconstruct the representation of Voldemort’s body in the Harry Potter series

Irwin, Andrew (2023). A monstrous queer in heteronormative waters: using queer theory to deconstruct the representation of Voldemort’s body in the Harry Potter series. University of Birmingham. M.Res.

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Abstract

Critical scholarship of the Harry Potter series of novels has developed significantly over the past twenty years. Despite a number of excellent critiques of the series’ primary antagonist, Voldemort, very little critical attention has been given to the problematic ways in which his body is represented in the series. The central argument of this dissertation is that Voldemort’s character can be read as representative of a mistrust of difference (expressed through pejorative depictions of his physical transformation) and a warning about the dangers of queerness. Utilising seminal contributions to queer theory, I seek to demonstrate the ways in which Voldemort’s body might be said to exemplify an anti-queer representation of queerness. After reviewing critical responses to Voldemort’s character – reflecting on the broad consensus that his primary function is to act as the evil foil to Harry’s (heteronormative) hero – I problematise the reading of Voldemort as an archetypal patriarchal villain. I then deconstruct the various ways in which Voldemort’s body and physical transformations are portrayed, arguing that he is, fundamentally, a queer straw man in the service of a traditionally heteronormative, anti-queer, series of children’s books. I examine the journey of physical and psychological change that Tom Riddle undergoes in becoming Lord Voldemort, and I also undertake a close reading of his ‘rebirth’ in the fourth instalment, Harry Potter and the Goblet of Fire. His cumulative transformations, and transgressions of biological and social norms, bring his status as ‘human’ into question. Ultimately, I argue, his queer body and queer desires lead to his inevitable punitive emasculation and annihilation at the series’ end.

Type of Work: Thesis (Masters by Research > M.Res.)
Award Type: Masters by Research > M.Res.
Supervisor(s):
Supervisor(s)EmailORCID
Semper, PhilippaUNSPECIFIEDUNSPECIFIED
Evans, ElliotUNSPECIFIEDUNSPECIFIED
Forman, RossUNSPECIFIEDUNSPECIFIED
Licence: All rights reserved
College/Faculty: Colleges (2008 onwards) > College of Arts & Law
School or Department: School of Languages, Cultures, Art History and Music, Department of Modern Languages
Funders: None/not applicable
Subjects: P Language and Literature > PN Literature (General) > PN0080 Criticism
P Language and Literature > PR English literature
URI: http://etheses.bham.ac.uk/id/eprint/14017

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