Baker, Adrian Michael (2022). Mimicry, manipulation and mutation: a portfolio of eclectic compositions. University of Birmingham. Ph.D.
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Abstract
This thesis was written to accompany a portfolio of stereophonic and multi-channel music compositions written between 2011-2020. The music draws on influences from a wide range of genres and experiments with musical boundaries. The thesis explores the importance of play and improvisation in the composition process with an emphasis on noise and detritus as important parts of the sound palette.
Aim: to create a portfolio of acousmatic and mixed compositions for stereophonic and multichannel formats. In making this portfolio I intend to use a wide range of musical and non-musical sources. I will draw influences from both acousmatic and popular music genres in original compositions. The work will form a portfolio exploring music and the ambiguity of musical boundaries. I will also be using detritus and noise and considering some of the implications associated with these types of sounds. The work will also focus on the use of play and improvisation in music creation.
Type of Work: | Thesis (Doctorates > Ph.D.) | |||||||||
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Award Type: | Doctorates > Ph.D. | |||||||||
Supervisor(s): |
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Licence: | All rights reserved All rights reserved | |||||||||
College/Faculty: | Colleges (2008 onwards) > College of Arts & Law | |||||||||
School or Department: | School of Languages, Cultures, Art History and Music, Department of Music | |||||||||
Funders: | None/not applicable | |||||||||
Subjects: | M Music and Books on Music > M Music M Music and Books on Music > ML Literature of music |
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URI: | http://etheses.bham.ac.uk/id/eprint/12744 |
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