Ryall, Nicholas John (2021). Portfolio of Musical Compositions. University of Birmingham. Ph.D.
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Ryall2021PhD.pdf
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sk8erpunk.mp3
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LINES OF DEFENCE AUDIO.mp3
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Untitled Piece for Chamber Orchestra (Work in Progress).pdf
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Aquanautic 1.mp3
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Aquanautic 2.mp3
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Aquanautic 3.mp3
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Storm Ghosts.mp3
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Lunchtime Concert - Xenia Pestova 2017.mp3
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ROOM I.mp3
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ROOM II.mp3
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ROOM III.mp3
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ROOM IV.mp3
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Alice Attak Final Mixdown.mp3
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Abstract
This is a portfolio of mixed compositions for a range of musical media. Composition as research is the main theme running throughout the portfolio. Particular focus is given to experimental aspects of composition, in order to see how these function as both creative tools and modes of communication.
For example, use of sampling, use of code followed by digital manipulation, conventional notation and unconventional instruments. Some of the compositions are written specifically for performance, one is written specifically as sound design for a film, and others stand as experimental electronic works.
| Type of Work: | Thesis (Doctorates > Ph.D.) | ||||||
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| Award Type: | Doctorates > Ph.D. | ||||||
| Supervisor(s): |
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| Licence: | All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved All rights reserved | ||||||
| College/Faculty: | Colleges (2008 onwards) > College of Arts & Law | ||||||
| School or Department: | School of Languages, Cultures, Art History and Music, Department of Music | ||||||
| Funders: | None/not applicable | ||||||
| Subjects: | M Music and Books on Music > M Music | ||||||
| URI: | http://etheses.bham.ac.uk/id/eprint/11882 |
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