Browse by Supervisor

Nikolopoulos, Georgios (2021). A collection of musical works composed by the use of computer music applications and technology. University of Birmingham. Ph.D.

Opstad, James Alastair (2022). A new kind of score: rethinking the relationship between composer, performer and technology. University of Birmingham. Ph.D.

Lorway, Norah (2014). A portfolio of fixed electroacoustic and live laptop works. University of Birmingham. Ph.D.

Szwed, Katarzyna Zofia (2015). A portfolio of compositions. University of Birmingham. Ph.D.

Lockwood, Charles Joseph Robert (2019). A portfolio of compositions. University of Birmingham. Ph.D.

Knotts, Shelly (2013). A portfolio of compositions: commentary. University of Birmingham. M.Mus

Bumstead, Eric Walter Reginald (2011). A portfolio of electroacoustic and live electronic compositions with research into stochastic synthesis. University of Birmingham. Ph.D.

Sheth, Niketa Milan (2021). A portfolio of electroacoustic compositions: blurring the lines between field recording, soundscape composition and acousmatic music. University of Birmingham. Ph.D.

Morton, Anthony James (2019). A portfolio of sound art installations that employ modern reactive and interactive technology through systems-based mechanisms. University of Birmingham. M.A.

Poepel, Cornelius (2011). An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers. University of Birmingham. Ph.D.

Gorb, Adam John (2013). Anya 17, conception, collaboration and realisation. University of Birmingham. Ph.D.

Fardon, Daniel Lewis (2019). Composing with plural approaches to tonality, source, and style. University of Birmingham. Ph.D.

Ferguson, Mark George Thomas (2022). Electroacoustic music composition, guided by the inherent methodologies and approaches of wildlife sound recording. University of Birmingham. Ph.D.

Ryall, Nicholas J (2014). MPhil musical composition: commentaries. University of Birmingham. M.Phil.

Baker, Adrian Michael (2022). Mimicry, manipulation and mutation: a portfolio of eclectic compositions. University of Birmingham. Ph.D.

Hutchins, Charles Celeste (2012). Portfolio of Compositions. University of Birmingham. Ph.D.

Kinch, Simon David (2010). Portfolio of Compositions: compositions of indeterminacy and predeterminacy. University of Birmingham. M.Mus

Ryall, Nicholas John (2021). Portfolio of Musical Compositions. University of Birmingham. Ph.D.

Luque Ancona, Sergio (2012). Portfolio of compositions. University of Birmingham. Ph.D.

Malavasi, Matteo (2013). Portfolio of compositions. University of Birmingham. Ph.D.

Morimoto, Yota (2015). Portfolio of compositions. University of Birmingham. Ph.D.

Opstad, James Alastair (2018). Portfolio of compositions. University of Birmingham. Other

Hedsund, Helene (2021). Portfolio of compositions. University of Birmingham. Ph.D.

Yeung, Tsun Winston (2019). Portfolio of compositions: a dialogue between the human body and computer music. University of Birmingham. Ph.D.

Gibson, Max (2019). Portfolio of compositions: an eclectic view. University of Birmingham. M.A.

Cogle, Joanna Marie (2014). Portfolio of compositions: explorations of genre within a classical idiom. University of Birmingham. M.Mus

Boone, Matius Shan (2022). Repetition as compositional method. University of Birmingham. Ph.D.

Marino, Luigi (2022). Revisiting a relational approach to Electronic music performance. University of Birmingham. Ph.D.

Favali, Federico (2019). Shapes and notes: transforming images into musical structures. University of Birmingham. Ph.D.

Margetson, Emma May ORCID: https://orcid.org/0000-0002-1054-1973 (2021). Sonic immersion: reaching new audiences through sound. University of Birmingham. Ph.D.

Alexaki, Evangelia (2021). Storytelling with sound and vocal improvisation: a portfolio of electroacoustic compositions. University of Birmingham. M.A.

Vuksic, Valentina (2023). The (troubled) sonicity of the computational through sites of crosstalking. University of Birmingham. Ph.D.

Khosravi Mardakheh, Milad ORCID: https://orcid.org/0000-0001-9819-1623 (2022). The Sound of the hallmarks of cancer. University of Birmingham. Ph.D.

Ibbett, David Roger (2015). Towards an integrated art music. University of Birmingham. Ph.D.

Moncada, Jorge Gregorio García (2013). Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio. University of Birmingham. Ph.D.