Browse by Supervisor

Freijo Escudero, Luis Antonio ORCID: https://orcid.org/0000-0003-2618-4779 (2019). A gun of one's own: gender representation in contemporary Westerns. University of Birmingham. M.A.

Coopey, Louise ORCID: https://orcid.org/0000-0003-1762-3354 (2023). Breaking the wheel: exploring representations of female archetypes in Game of Thrones (2011-2019). University of Birmingham. Ph.D.

Freijo Escudero, Luis ORCID: https://orcid.org/0000-0003-2618-4779 (2023). De-Westernising the Western: remapping genre and nation in World Cinema. University of Birmingham. Ph.D.

Cobb, Thomas (2018). Decade of disarray: Hollywood allegories of U.S. foreign policy: 1999-2009. University of Birmingham. Ph.D.

Chen, Hui-Han (2021). From hesitation to resistance: slow world cinemas' transnational politics. University of Birmingham. Ph.D.

Katz, Stephanie E. (2023). Here we go 'Round In circles’: The definition of Circular Narrative as a new narrative typology. University of Birmingham. Ph.D.

Cobb, Thomas (2014). How did mainstream Hollywood cinema respond to the political zeitgeist following the 9/11 attacks? University of Birmingham. M.Res.

McKeown, William J. C. ORCID: https://orcid.org/0000-0001-5333-9030 (2021). Self-sacrifice in the zombie apocalypse: survive or die surviving! A multimedia critique of neoliberalism through survivalist narratives. University of Birmingham. Ph.D.

Zogall, Gabriela (2021). The evil woman in cinematic realms: the evolution of supernatural female antagonists in English-speaking North American fantasy and horror film of the 21st century. University of Birmingham. Ph.D.

Comanducci, Carlo (2016). The wayward spectator. University of Birmingham. Ph.D.