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Miles, Natasha Frances (2014). Approaches to accompaniment on the baroque guitar c.1590-c.1730. University of Birmingham. Ph.D.

Fallowfield, Ellen (2010). Cello map: a handbook of Cello technique for performers and composers. University of Birmingham. Ph.D.

Sequera, Hector (2010). House music for recusants in Elizabethan England: performance practice in the music collection of Edward Paston (1550-1630). University of Birmingham. Ph.D.

Jarratt-Knock, David George (2014). The 'cornett': diversity of form, function and usage as portrayed in organological and iconographical sources, c.1500-c.1800. University of Birmingham. M.Mus

Miles, Natasha Frances (2011). The baroque guitar as an accompaniment instrument for song, dance and theatre. University of Birmingham. M.Phil.

Shaw, Martyn (2014). The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). University of Birmingham. Ph.D.