Browse by Supervisor

Anderton, Rex (2009). A study of various Nationalist appropriations of Nietzsche in the Weimar Republic. University of Birmingham. M.Phil.

Young, Primrose May Deen (2017). Bourgeois ambivalence: a comparative investigation of Thomas Mann’s Der Zauberberg and T. S. Eliot’s The Waste Land. University of Birmingham. Ph.D.

Wood, Jessica (2013). Eros and the Creative Process in Thomas Mann’s Der Tod in Venedig and Gabriele D’Annunzio’s Il fuoco. University of Birmingham. M.Phil.

Hunter, Helen Elizabeth (2015). Literary uses of biblical imagery in Hartmann Von Aue's Gregorius, Kafka's Die Verwandlung and Thomas Mann's Der Erwählte. University of Birmingham. Ph.D.

Giles, Alice Shelley Minda (2009). Myths of War: Constructing and Challenging Literary Myths of War in Germany, 1914-1930. University of Birmingham. M.Phil.

Schmucker, Dietlinde (2018). Negotiating German victimhood in the American misery memoir. University of Birmingham. Ph.D.

Green, James Edward (2014). Nietzsche, Goethe and the nineteenth-century tradition of Bildung. University of Birmingham. Ph.D.

Wood, Jessica Susan (2016). Portraits of the artist: Dionysian creativity in selected works by Gabriele d’Annunzio and Thomas Mann. University of Birmingham. Ph.D.

Oliver, Emily Kate (2013). Shakespeare and German reunification: the interface of politics and performance. University of Birmingham. Ph.D.

Dowdall, Timothy (2021). The relationship between Max Stirner's thought and nihilism. University of Birmingham. Ph.D.

Hunter, Helen Elizabeth (2010). The sins of the sons: a comparative analysis of guilt, atonement and redemption in Kafka's Die Verwandlung and Thomas Mann's Der Erwahlte with reference to Hartmann von Aue's Gregorius. University of Birmingham. M.Phil.

Young, Primrose (2013). ‘The still point of the turning world': a comparative investigation of the portrayal of cyclical time and rebirth in T. S. Eliot’s 'The Waste Land' and Thomas Mann’s 'Der Zauberberg'. University of Birmingham. M.Phil.