Browse by Supervisor

Caneva, Sara ORCID: 0009-0002-3920-509X (2025). A composer’s approach to eye-ear cross-modality: sounds, illusions and embodiment from opera to interactive installation. University of Birmingham. Ph.D.

Sheth, Niketa Milan (2021). A portfolio of electroacoustic compositions: blurring the lines between field recording, soundscape composition and acousmatic music. University of Birmingham. Ph.D.

Ferguson, Mark George Thomas (2022). Electroacoustic music composition, guided by the inherent methodologies and approaches of wildlife sound recording. University of Birmingham. Ph.D.

Bravo Benard, Hector (2025). Non-linear dynamical systems for sound synthesis and music composition: a portfolio of creative works exploring their use and a discussion of the software tools developed. University of Birmingham. Ph.D.

Margetson, Emma May ORCID: 0000-0002-1054-1973 (2021). Sonic immersion: reaching new audiences through sound. University of Birmingham. Ph.D.

Khosravi Mardakheh, Milad ORCID: 0000-0001-9819-1623 (2022). The Sound of the hallmarks of cancer. University of Birmingham. Ph.D.