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Aldred, Natalie C. J. (2011). A critical edition of William Haughton's Englishmen for My Money; or, A Woman will have her Will. University of Birmingham. Ph.D.
Hildick-Smith, Georgina Elizabeth (2019). An essay on cultural criticism and sites of cultural production. University of Birmingham. M.A.
Westwood, Nicola (2023). Emotion in abolitionist literature during the British slavery debate, 1770-1833. University of Birmingham. Ph.D.
Halliday, Neil Edmund Bain (2020). Fatal consequences: Romantic confessional writing of the 1820s. University of Birmingham. Ph.D.
Newman, Harry Rex (2012). Impressive Shakespeare: sexual identity and impressing technologies in Shakespearean drama. University of Birmingham. Ph.D.
Trevor, Wendy Ellen (2010). Less than ideal? The intellectual history of male friendship and its articulation in early modern drama. University of Birmingham. Ph.D.
Gilbert, Kerry (2015). Letter-writing theory in the literary scene: Angel Day, The English Secretary, and authorship in early modern England. University of Birmingham. Ph.D.
Jones, Philip Ward (2019). Reading Dr. Johnson: reception and representation (1750–1960). University of Birmingham. Ph.D.
Martinez, Aurora Faye ORCID: 0000-0001-8524-4837
(2021).
Some uses of pastoral: from Marvell to Wordsworth.
University of Birmingham.
Ph.D.
Challinor, Jennie Rose (2016). Staging the court: the theatrical season of 1670-71. University of Birmingham. Ph.D.
Toothill, Matt (2013). The stages of celebrity. University of Birmingham. M.Phil.