Browse by Supervisor

Pellone, Elena M. (2023). Directorless Shakespeare. University of Birmingham. Ph.D.

Holmes, Shannon Georgene (2020). Ephemeral repetitions; deconstructing vocal technique and freeing spontaneous expression for authentic vocal performance. University of Birmingham. Ph.D.

Shahriar, Shahman (2023). National, intercultural and transcendental Shakespeare: adaptation and translation on the Bangladeshi stage. University of Birmingham. Ph.D.

Hayes, Laura Frances (2019). Out of the (play)box: an investigation into strategies for writing and devising. University of Birmingham. M.A.

Kerrigan, Stephanie Louise (2019). Postmodern dramaturgies: adapting classical Greek tragedies for the contemporary stage. University of Birmingham. Ph.D.

Aguirre, Antony (2023). Reimagining the performance of song in light of pedagogical developments at the Nordic school of visa: a songpoetics. University of Birmingham. M.A.

Meades, Charlotte (2018). The postdramatic playwright: a critical analysis of strategies for representing reality. University of Birmingham. M.A.

Piaszczyk, Daniel (2014). What are the benefits to a director of using a paratheatrical approach in the initial stages of a rehearsal? University of Birmingham. M.Phil.

Burg, Jason Ashmore (2017). ‘Remember where you are’!: the use of English cathedrals as sites of theatrical performance, 1928-2015. University of Birmingham. Ph.D.