Browse by Supervisor

Aldred, Natalie C. J. (2011). A critical edition of William Haughton's Englishmen for My Money; or, A Woman will have her Will. University of Birmingham. Ph.D.

Bradley, Kathleen Margaret (2009). A performance history of Sir Thomas More. University of Birmingham. M.Phil.

Keith, Richard Ian (2022). Accessing the power of the play: thoughts on intercultural Shakespeare from examining 'Hamlet' in Japan. University of Birmingham. Ph.D.

Westh, Sara Marie (2020). Authorial intent: a historical survey. University of Birmingham. Ph.D.

Higgins, Martin (2021). Idolatry, fetishism, and the drama of John Lyly. University of Birmingham. Ph.D.

Newman, Harry Rex (2012). Impressive Shakespeare: sexual identity and impressing technologies in Shakespearean drama. University of Birmingham. Ph.D.

Graybill, David Joseph (2018). In the shadow of Peter Brook: designing and redesigning A Midsummer Night's Dream at the Royal Shakespeare Company, 1970-2000. University of Birmingham. Ph.D.

Gilbert, Kerry (2015). Letter-writing theory in the literary scene: Angel Day, The English Secretary, and authorship in early modern England. University of Birmingham. Ph.D.

Nagase, Mariko (2012). Literary editing of seventeenth-century English drama. University of Birmingham. Ph.D.

Baldwin Lind, Paula (2015). Looking for privacy in Shakespeare: woman's place and space in a selection of plays and early modern texts. University of Birmingham. Ph.D.

Seo, Dong Ha (2011). Military culture of Shakespeare's England. University of Birmingham. Ph.D.

Orford, Peter Robert (2006). Rewriting history: exploring the individuality of Shakespeare's history plays. University of Birmingham. Ph.D.

Weiss, David S. (2018). Samuel Daniel's \(First\ Four\) \(Books\) \(of\) \(the\) \(Civil\) \(Wars\) and Shakespeare's early history plays. University of Birmingham. Ph.D.

McCourt, Eileen Marie Cameron (2020). Samuel Phelps at Sadler's Wells theatre: 1844-1862. University of Birmingham. Ph.D.

Cockin, Janet Mary (2003). Shakespeare's use of the Christian dimension in four major tragedies, and its dramatic effect on early audiences. University of Birmingham. M.Phil.

Sewell, Janice (2003). The art of imitation in the order of things: poetry, rhetoric, and the discursive formation of English. University of Birmingham. Ph.D.

Etkin, Jan (2016). The contradiction of opposites in Shakespeare Sonnets. University of Birmingham. M.Phil.

Steele, Jeffrey Callaway (2009). The fascination of evil: mental malpractice in Shakespearean tragedy. University of Birmingham. Ph.D.

Smith, Gwendoline P. Vingoe (2004). The making of Shakespeare's genius. University of Birmingham. M.Litt.

Richardson, Patricia (2004). The monstrous in Shakespeare. University of Birmingham. M.Litt.

Mihara, Minoru (2006). The origin and the development of scholarly editing: a comparative study of ballad editing and Shakespeare editing in the eighteenth century. University of Birmingham. M.Phil.

Green, William ORCID: https://orcid.org/0000-0002-7955-1037 (2021). Thomas Middleton and the adaptation of Shakespeare: late Jacobean politics in print and performance, 1616-1623. University of Birmingham. Ph.D.

Clark, Charlotte Louisa (2022). À toi, Caliban: a history of the tempest in France and the francophone world. University of Birmingham. Ph.D.

Garafalo, Sanner (2013). ‘Most wonderful!’: a contextual study of twinship in early modern drama and Shakespeare’s plays. University of Birmingham. Ph.D.

Ridge, Kelsey (2019). “Our great captain’s captain”: Shakespeare’s military spouses and the war on terror. University of Birmingham. Ph.D.