Browse by Supervisor

Preston-Roberts, Abra Amata (2023). "I never wanted to be your mother!": Ambivalent Motherhood in 21st Century Horror Films. University of Birmingham. M.A.

Delmas, Melina (2020). (S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French. University of Birmingham. Ph.D.

Morris, Julia (2010). An investigation into subtitling in French and Spanish heritage cinema. University of Birmingham. M.Phil.

Levasseur, Bruno (2010). Essai de lecture «democratique» des representations culturelles des grands ensembles francais: une «archive» de la Cite des Quatre-Mille a La Courneuve (1962-2002). University of Birmingham. Ph.D.

Cooper, David (2010). From Autoroute to AutoBioBD: The minority voice in Bande Dessinée. University of Birmingham. M.Phil.

Bruce, Matthew (2019). In search of le secret perdu: how French film director, François Truffaut, was influenced by silent cinema. University of Birmingham. M.A.

Peters, Claire Isla MacLeod (2013). Le Paris de la mémoire: traces of the Holocaust and the Algerian War in the city of light. University of Birmingham. Ph.D.

Murdoch, Emma Louise Annabel (2017). Madness, psychiatry and anti-psychiatry in English and French women’s writing and film. University of Birmingham. Ph.D.

Climo, Jill Marian (2012). New negotiations in post-2000 French cinema. University of Birmingham. Ph.D.

Boothroyd, Edward (2009). The Parisian Stage during the Occupation, 1940-1944: A Theatre of Resistance? University of Birmingham. Ph.D.

Michael, Diane Mae (2024). Travail de mémoire : Années noires, image, intergénérationnalité. University of Birmingham. Ph.D.

Ai, Yiran ORCID: 0000-0001-8634-5998 (2022). What makes a film feminist?: gender perspectives of directors of westernised and Hong Kong cinema between 1990 and 2000. University of Birmingham. Ph.D.