Browse by Supervisor

Honnold, Adrianne Lee (2021). 'Unacknowledged ubiquity': the saxophone in popular music. University of Birmingham. Ph.D.

Nikolopoulos, Georgios (2021). A collection of musical works composed by the use of computer music applications and technology. University of Birmingham. Ph.D.

Lockwood, Charles Joseph Robert (2019). A portfolio of compositions. University of Birmingham. Ph.D.

Morton, Anthony James (2019). A portfolio of sound art installations that employ modern reactive and interactive technology through systems-based mechanisms. University of Birmingham. M.A.

Davis, James Serge Arthur (2020). Berio in history: music, politics and philosophy from Darmstadt to Postmodernism. University of Birmingham. Ph.D.

Hedsund, Helene (2021). Portfolio of compositions. University of Birmingham. Ph.D.

Yeung, Tsun Winston (2019). Portfolio of compositions: a dialogue between the human body and computer music. University of Birmingham. Ph.D.

Danieli, Luca ORCID: https://orcid.org/0000-0003-3278-966X (2019). Portfolio of musical compositions. University of Birmingham. Ph.D.

Vuksic, Valentina (2023). The (troubled) sonicity of the computational through sites of crosstalking. University of Birmingham. Ph.D.

Allman, Spencer Richard (2020). The soft option: the legacy of Morton Feldman’s music in the context of the experimental music tradition in the UK and North America since the 1960s. University of Birmingham. M.A.