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Barnett, James William (2008). "I had rather be called a journalist than an artist": an assessment of the artistic credibility of the novels of H.G. Wells. University of Birmingham. M.Phil.
Herbert, John Richard James (2013). A revaluation of E.M. Forster's fiction. University of Birmingham. Ph.D.
Roberts, John Wolfgang (2020). Diffracting (meta)‘fictions’: performativity, neocybernetics, diffraction, and the living practice/s of story through select metafictional novels. University of Birmingham. Ph.D.
Reeve-Tucker, Alice Glen (2012). Evelyn Waugh, Graham Greene, and Catholicism: 1928-1939. University of Birmingham. Ph.D.
Moden, Rebecca (2012). Illusion and reality in the fiction of Iris Murdoch: a study of The Black Prince, The Sea, The Sea and The Good Apprentice. University of Birmingham. M.Phil.
Moster, Brittany (2020). John Middleton Murry's Editorial Practices 1911-1927. University of Birmingham. Ph.D.
Harrison, Liam (2022). Late modernist styles: modernist legacies in post-millennial British and Irish literature. University of Birmingham. Ph.D.
Blackwell, Matilda (2022). Reading the Bathroom in Early Twentieth-Century Women's Writing. University of Birmingham. Ph.D.
Al-Tarawneh, Anoud Ziad Abdel-Qader (2019). Representations of women and aspects of their agency in male authored proletarian experimental novels from thirties America. University of Birmingham. Ph.D.
Harriott, Robin Christopher (2021). The Birmingham group: reading the second city in the 1930s. University of Birmingham. Ph.D.
Comer, Hannah (2020). The Pre-Raphaelite legacy in modernism. University of Birmingham. Ph.D.
Bateman, William George (2022). The affront of otherness in D. H. Lawrence's writings on travel. University of Birmingham. Ph.D.