Browse by Supervisor

Atkinson, Peter John (2017). Regeneration and re-enchantment: British music and Wagnerism, 1880–1920. University of Birmingham. Ph.D.

Caruana, Roberta Anne (2018). Chamber music from Malta: introduction and survey. University of Birmingham. M.A.

Simmons, Alexander (2013). Erik Satie's Trois Gnossiennes in the French fin de siècle. University of Birmingham. Ph.D.

Jenkinson, Richard (2019). Kodály’s Sonata for Solo Cello Op.8 and Hungarian Nationalism. University of Birmingham. Ph.D.

Minchella, Damon (2019). Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. University of Birmingham. Ph.D.

Shan, Liang (2020). Messiaen and time: philosophical reflections on the performance of Visions de l’Amen for two pianos. University of Birmingham. Ph.D.

Currie, Fergus Alexander (2020). More than a satisfying continuity: a comparison of compositional processes in two orchestral works by Tōru Takemitsu (1930–1996). University of Birmingham. M.A.

Evans, Christopher John (2021). Rediscovering the forgotten music of the Holocaust: the life and music of the Dutch-Jewish composer Sim Gokkes. University of Birmingham. M.A.

Tienstra, Rens (2016). The late choral works of Ton de Leeuw: an analytical study. University of Birmingham. M.A.

Allman, Spencer Richard (2020). The soft option: the legacy of Morton Feldman’s music in the context of the experimental music tradition in the UK and North America since the 1960s. University of Birmingham. M.A.