Browse by Supervisor

Kendall White, Cecilia (2014). 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. University of Birmingham. M.Phil.

Keith, Richard Ian (2022). Accessing the power of the play: thoughts on intercultural Shakespeare from examining 'Hamlet' in Japan. University of Birmingham. Ph.D.

Hennessey, James Todd (2017). An examination of human anatomy in the drama of the early modern period. University of Birmingham. Ph.D.

Ng, Elaine Hui Ru (2017). Contemporary Shakespeare performances in Asia and the intercultural imperative. University of Birmingham. Ph.D.

Seitz, Emily Lynne (2022). Cultivating the Bard: The construction of Shakespeare in the long eighteenth century. University of Birmingham. Ph.D.

Fielding, Rosalind Jane (2018). Embodying dialogue: hybridity and identity in Japanese Shakespeare productions. University of Birmingham. Ph.D.

Bartelle, Michael Joel (2022). Enacting the untranslatable: the sociolinguistic situatedness of Shakespearean emotions. University of Birmingham. Ph.D.

Da Silva Gregório, Paulo Henrique (2017). Intersections between Shakespeare and Beckett on stage, screen and page. University of Birmingham. Ph.D.

Green, Charles Adam (2020). John Donne's commemorations: authorship and afterlife in early modern England. University of Birmingham. Ph.D.

Nickson, Ian Martin ORCID: 0000-0001-8271-7256 (2023). Manchester - Shakespeare's Victorian powerhouse. University of Birmingham. Ph.D.

Stewart, Rachel Emily (2020). Performing 'madness' in major London and RSC productions of Hamlet, 1959-2019. University of Birmingham. Ph.D.

Cho, Dukhee (2018). Political Shakespeare in Korea: from the early twentieth century to today. University of Birmingham. Ph.D.

Harker, Karen Elizabeth (2021). Reconstructing Shakespearean soundscapes: tableaux vivants, incidental music, and expressions of national identity on the London stage, 1855-1911. University of Birmingham. Ph.D.

Brown, Joanne Elizabeth (2017). Reinterpreting Troilus and Cressida: changing perceptions in literary criticism and British performance. University of Birmingham. Ph.D.

Fretz, Claude (2016). Remaking genre: dreams and sleep in Shakespeare’s comedies and tragedies (c.1591-1606). University of Birmingham. Ph.D.

McCourt, Eileen Marie Cameron (2020). Samuel Phelps at Sadler's Wells theatre: 1844-1862. University of Birmingham. Ph.D.

Broadribb, Benjamin (2023). The cultural significance of Shakespeare on screen in the Twenty-First Century. University of Birmingham. Ph.D.

Stewart, Alison (2015). The development of the pre-show in English Shakespearean performance, 1932-2014. University of Birmingham. Ph.D.

Morton, Charles Douglas Andrew (2017). The influence of William Shakespeare on the works of Harold Pinter. University of Birmingham. Ph.D.

Lau, Leung Che Miriam (2018). The making of Hong Kong Shakespeare: post-1997 adaptations and appropriations. University of Birmingham. Ph.D.

Brodie, Val (2013). The overlooked evidence: the use of music in productions of Henry V 1859-1916. University of Birmingham. Ph.D.

Webber, Jennifer Claire (2020). What has directors’ theatre done to Shakespeare on the 21st century stage? An examination of the effect on the text and performance of Shakespeare in three contemporary productions. University of Birmingham. M.A.

Clark, Charlotte Louisa (2022). À toi, Caliban: a history of the tempest in France and the francophone world. University of Birmingham. Ph.D.

Buckley, Thea Anandam (2017). “In the spicèd Indian air by night”: performing Shakespeare’s Macbeth in Postmillennial Kerala. University of Birmingham. Ph.D.