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Hegenbarth, Carly Louise (2016). Catholic emancipation and British print cultures, 1821-9. University of Birmingham. Ph.D.
Giraud, Marie Sophie (2015). Convulsionary miracles and women in print culture in France, 1737-1747. University of Birmingham. M.Res.
Dudley, Lauren Louise (2014). France in ruins: paintings by Hubert Robert c.1786-1788. University of Birmingham. M.Phil.
Squire, Hannah (2015). French women artists of the Napoleonic era (1799 –1815). University of Birmingham. M.Res.
Jones, Victoria Grace (2010). James Gillray's Design for a Naval Pillar: Naval Heroism and Patriotic Public Display in late Eighteenth-Century Britain. University of Birmingham. M.Phil.
Fogarty, Barbara (2011). Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. University of Birmingham. M.Phil.
Tungate, Susan (2011). Matthew Boulton and the Soho Mint: copper to customer. University of Birmingham. Ph.D.
Jones, Victoria Grace (2014). Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815. University of Birmingham. Ph.D.
Seyler, Katrin Jutta (2012). Opening the cognitive tool-box of migrating sculptors (1680-1794): an analysis of the epistemic and semiotic structures of the republic of tools. University of Birmingham. Ph.D.
Hegenbarth, Carly Louise (2011). Religion and representation: Methodism "displayed" in a series of seven images accompanying six anti-Methodist publications 1778-9. University of Birmingham. M.Phil.
Loggie, Valerie Ann (2011). Soho depicted: prints, drawings and watercolours of Matthew Boulton, his manufactory and estate, 1760-1809. University of Birmingham. Ph.D.
McElroy, Samantha Anne (2012). The decoration of the Pauline Chapel: with reference to the works of Giovanni Baglione. University of Birmingham. M.Phil.