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Clegg, Michael ORCID: 0000-0002-0867-0944 (2021). ‘The poor man’s picture gallery': an enquiry into artists’ printmaking and print images in the cultural and political context of post-war Britain, 1945-60. University of Birmingham. Ph.D.
Clegg, Michael (2021). ‘The poor man’s picture gallery': an enquiry into artists’ printmaking and print images in the cultural and political context of post-war Britain, 1945-60. University of Birmingham. Ph.D.
Yip, Hannah Sze-Munn ORCID: 0000-0001-5843-044X (2021). 'Speaking now to our eyes': visual elements of the printed sermon in early modern England. University of Birmingham. Ph.D.
Greene, Rob (2020). The poetry school of experience. University of Birmingham. Ph.D.
Moster, Brittany (2020). John Middleton Murry's Editorial Practices 1911-1927. University of Birmingham. Ph.D.
Harrison, Rosanna Lucy Doris Colchester (2019). A study of George Wilson’s eighteenth-century narrative fans as prints and mobile conduct instructors. University of Birmingham. Ph.D.
Giraud, Marie Sophie (2015). Convulsionary miracles and women in print culture in France, 1737-1747. University of Birmingham. M.Res.
Carroll, Hannah Elizabeth (2013). Travels through text and image: Estella Canziani’s ‘Costumes, traditions and songs of Savoy’ (1911). University of Birmingham. M.Phil.
Loggie, Valerie Ann (2011). Soho depicted: prints, drawings and watercolours of Matthew Boulton, his manufactory and estate, 1760-1809. University of Birmingham. Ph.D.