Up a level |
Sanders-Hewett, Martin (2015). Context and analysis: an investigation of the sonata-form movements for piano by Joaquín Turina (1882-1949). University of Birmingham. M.Mus
Jarratt-Knock, David George (2014). The 'cornett': diversity of form, function and usage as portrayed in organological and iconographical sources, c.1500-c.1800. University of Birmingham. M.Mus
Cogle, Joanna Marie (2014). Portfolio of compositions: explorations of genre within a classical idiom. University of Birmingham. M.Mus
Kuoppala, Visa Tapani (2013). Commentary for composition portfolio. University of Birmingham. M.Mus
Knotts, Shelly (2013). A portfolio of compositions: commentary. University of Birmingham. M.Mus
Bosworth, William Thomas (2013). Metrical dissonance in Brahms's second piano trio, opus 87 in C major. University of Birmingham. M.Mus
Needham, Clare Louise (2012). A critical edition of Johann Caspar Kerll’s Missa a Tre Chori. University of Birmingham. M.Mus
Clay, Jeremy David (2012). Portfolio of compositions. University of Birmingham. M.Mus
Kinch, Simon David (2010). Portfolio of Compositions: compositions of indeterminacy and predeterminacy. University of Birmingham. M.Mus
Deere, Joanne E (2010). Form and Programme in Liszt’s Hamlet: A New Perspective. University of Birmingham. M.Mus
Furse, Edward Niel (2010). Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto. University of Birmingham. M.Mus
Garfield, Benjamin (2010). Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye. University of Birmingham. M.Mus
Hiley, Diane Wendy (2010). Ways of integrating musical systems: a portfolio of compositions. University of Birmingham. M.Mus