A portfolio of electroacoustic and live electronic compositions with research into stochastic synthesis

894 22 15337 4 25198 document 15337 Bumstead11PhD.pdf application/pdf aaba158efc3f4de6221a4db84c37f00f MD5 747804 2011-10-07 16:42:04 http://etheses.bham.ac.uk//id/eprint/894/1/Bumstead11PhD.pdf 894 1 1 application/pdf application/pdf en public

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http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/15337 http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/15337 http://eprints.org/relation/isIndexCodesVersionOf http://etheses.bham.ac.uk/id/document/15337 archive 4031 disk0/00/00/08/94 2011-10-07 16:43:03 2019-01-23 09:53:05 2011-10-07 16:43:03 thesis show 0 Bumstead Eric Walter Reginald Wilson Scott ftp://ubira.bham.ac.uk/eTheses/894_Bumstead/ University of Birmingham A portfolio of electroacoustic and live electronic compositions with research into stochastic synthesis unpub M1 10col_artl The hard copy includes two DVDs with code and audio files A copy of the files from the DVDs is in the Research Data Store at \\its-rds\archive\2015\russeljc-01\894_Bumstead_thesis_audio_supplement This thesis includes a portfolio of electroacoustic and live electronic compositions consisting of multichannel fixed media works and pieces that include instruments, real time computer processing and electronic interfaces. It also details research into stochastic synthesis and its application in music composition. Work carried out in real-time processing of multichannel signals including convolution, spatialisation, as well as decorrelation from one to many channels, sample accurate looping and various sample accurate control systems, is also included in this thesis. Pieces: In a Cage Spinning Plates Poly |Kroðn| BlckWnd River Fields Immortal Lithium 2011-07 2011-01 graduation eng author checked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. public 64 University of Birmingham School of Languages, Cultures, Art History and Music, Department of Music d_ph na 2011-07 graduation