Cinematic representations of women in France and Germany, 1918-1933

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http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/1839 http://eprints.org/relation/ispreviewThumbnailVersionOf http://etheses.bham.ac.uk/id/document/1839 http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/1839 archive 4031 disk0/00/00/07/53 2010-06-16 08:09:03 2019-01-23 09:52:47 2011-07-19 16:22:50 thesis show 0 Simpson Hannah Rachel University of Birmingham Cinematic representations of women in France and Germany, 1918-1933 unpub HQ PN1993 10col_artl Student deferred from July 2010 to December 2010, but thesis had already been "released" so left online. JR 04/08/2010 This thesis is an examination of the cinematic representations of women in the inter-war period in France and Germany. By investigating five films produced during the period from 1918 to 1933, this work analyses the portrayal of women in two societies facing great upheaval. I examine the representations of women in the films through analysis of the presentation of gender, female sexuality and pronatalism, patriarchy and the dichotomised portrayal of women through the Neue Frau and la femme au foyer and class. Furthermore, I examine the similarities and differences in female portrayal which can be found between the two countries. The five films to be examined are La souriante Madame Beudet (1922), La fille de l’eau (1924), Fanny (1932), Die Büchse der Pandora (1929) and Der blaue Engel (1930). 2010-12 2009 graduation eng author unchecked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. public 67 University of Birmingham School of Languages, Cultures, Art History and Music, Department of Modern Languages m_ph FALSE na 2010-12 graduation