Papadiamantis’ Athenian short stories: social representation and characterization

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http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/1631 http://eprints.org/relation/ispreviewThumbnailVersionOf http://etheses.bham.ac.uk/id/document/1631 http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/1631 archive 4031 disk0/00/00/06/70 2010-05-14 11:13:08 2019-01-22 12:05:48 2011-07-19 16:21:17 thesis show 0 Lefaki Maria lefaki_m@hotmail.com Tziovas Dimitris University of Birmingham Papadiamantis’ Athenian short stories: social representation and characterization unpub PN0080 PN PB 10col_artl As a contribution to the re-evaluation of Papadiamantis’ literary oeuvre this thesis sets out to explore the social dimension of his work by focusing on his Athenian short stories. This literary corpus, a significant part of the literature describing the urban environment in the last decade of the nineteenth and the first decade of the twentieth century, offers an insight into Papadiamantis’ views on the social reality of the Greek capital and society at large. The first chapter outlines the socio-historical parameters that contributed to the increasing presence of Athens in Greek prose fiction of that period and explores the ways different urban narratives sought to record the changing physiognomy of the capital. The second and third chapters focus on the texts and provide a close reading of the Athenian stories. In particular, the second chapter concentrates on the social context and brings to the fore the complex range of social ills that the author wishes to stigmatize either explicitly or implicitly. The third chapter centres on the characters in the Athenian short stories and demonstrates how the urban social context moulds the individual’s character and victimizes the most vulnerable social members. The critical representation of the capital in the Athenian short stories points to Papadiamantis’ scepticism about the emerging norms of modern existence and reveals a socially conscious author. 2010-07 2009-11 graduation eng author unchecked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. A.G. Leventis Foundation public 97 University of Birmingham School of History and Cultures, Department of Classics, Ancient History and Archaeology (CAHA) m_ph FALSE other 2010-07 graduation