Multimodal crime news in Japan and the UK: a study of the interaction between news production and reception

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http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/21735 http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/21735 http://eprints.org/relation/isIndexCodesVersionOf http://etheses.bham.ac.uk/id/document/21735 archive 4031 disk0/00/00/35/96 2012-07-17 09:12:51 2019-01-23 09:56:38 2012-07-17 09:12:51 thesis show 0 Sakai Makoto Caldas-Coulthard Carmen Rosa University of Birmingham Multimodal crime news in Japan and the UK: a study of the interaction between news production and reception unpub HN HV P1 PN0080 PN1990 10col_artl The author is willing to make the thesis available to requesters, however, it contains a lot of 3rd party material which cannot be copied or circulated. The interaction between news production and reception realised by written hard news texts is generally characterised as implicit. However, under the pressure of marketisation, news companies, by using multimodal resources and the internet, produce various types of semiotic effects to make their news texts more interactive and entertaining while maintaining the traditional informative and authorial stances. In this research, I will examine crime news texts as a discourse type and investigate how news companies in Japan and the UK establish an interpersonal relationship with their readers through news reports, juxtaposing images in page-based multimodal news provided online. My main aim is to discuss the interpersonal meanings realised in the data based on three analytical and methodological tools: Systemic Functional Linguistics (SFL), a semiotic approach to language proposed by Halliday and Matthiessen (2004), the visual grammar, an application of SFL to the visual mode, devised by Kress and van Leeuwen (1996) and corpus linguistics. This analysis shows that in the process of news production, facts are interpreted and recontextualised in order to maximise discoursal values. It also shows that the British and the Japanese press realize criminal meanings according to their contextual and cultural values and practices. 2012-07 2012-01 graduation eng author unchecked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. restricted 509 University of Birmingham School of English, Drama and American & Canadian Studies, The Shakespeare Institute d_ph na 2012-07 graduation