Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary

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http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/20990 http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/20990 http://eprints.org/relation/isIndexCodesVersionOf http://etheses.bham.ac.uk/id/document/20990 archive 4031 disk0/00/00/34/94 2012-06-28 08:41:44 2019-01-23 09:56:24 2012-06-28 08:41:44 thesis show 0 Borin Alessandro Timms Colin University of Birmingham Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary unpub M1 ML 10col_artl Vivaldi’s Op. 6 concertos first appeared in 1719 under the imprint of Jeanne Roger. Though the engraved parts contain an unusually large number of errors and the structure of the publication deviates in a quite clear-cut manner from that of any other instrumental collection shaped according to the traditional Vivaldian canons, in many respects these works are more ‘typical’ of their composer than any previously published. The Introduction explores the characteristics of the textual transmission of Op. 6 and the stylistic features of each individual concerto in order to gather a broad range of information on the genesis and intrinsic nature of the collection. The Critical Edition of the six concertos includes a statement of Editorial Methods. All discrepancies between the principal source and the edition are documented in the Critical Commentary, which likewise comprehensively reports on variants in the secondary sources. 2012-07 2011-12 graduation eng author unchecked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. public 166 University of Birmingham School of Languages, Cultures, Art History and Music, Department of Music m_ph na 2012-07 graduation