A performance history of Sir Thomas More

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http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/827 http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/827 http://eprints.org/relation/isIndexCodesVersionOf http://etheses.bham.ac.uk/id/document/827 archive 4031 disk0/00/00/03/43 2009-11-16 13:19:28 2019-01-23 09:51:58 2011-07-19 16:16:05 thesis show 0 Bradley Kathleen Margaret Jowett John University of Birmingham A performance history of Sir Thomas More unpub PR 10col_artl This thesis examines the history of Sir Thomas More in performance through an engagement, by correspondence and personal interview, with those theatrical practitioners most closely involved with the production of the play text as a theatrical event. This is allied to a close examination of those records of performance that remain accessible to the scholar. The relationship between the roles of the modern editor as an authorial collaborator and the modern director as a textual editor also informs the author’s approach to the subject. The limitations inherent in any records closely concerned with the production of an essentially ephemeral theatrical event are assessed in relation to the necessary subjectivity of critical responses to unique performances. 2009-12-10 2009-05 graduation eng other This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ubira@lists.bham.ac.uk public University of Birmingham School of English, Drama and American & Canadian Studies, The Shakespeare Institute m_ph na 2009-12-10 graduation