The Chinese Little Theatre movement from 1980s to present

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http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/22563 http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/22563 http://eprints.org/relation/isIndexCodesVersionOf http://etheses.bham.ac.uk/id/document/22563 archive 4031 disk0/00/00/32/20 2012-05-03 09:16:28 2020-12-12 03:40:03 2012-05-03 09:16:28 thesis show 0 Dai Lisi Crow Brian University of Birmingham The Chinese Little Theatre movement from 1980s to present unpub N1 PN2000 10col_artl Chinese Little Theatre first emerged more than twenty years ago in the 1980s, following liberalisation under the Open Door Policy. It developed rapidly and is now a thriving industry, however, its development was influenced by several factors which helped it evolve its own unique styles. Little theatres have advantages and disadvantages over conventional theatres, and these will be explored in this work. Further, there have been a number of influential individuals in its development. Meng Jinghui especially played an important role in the process of connecting the theatre with the market. In this dissertation I will concentrate on closely analysing the Chinese Little Theatre and its development in a variety aspects. 2012-07 2011-11 graduation eng This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. public 97 University of Birmingham School of English, Drama and American & Canadian Studies, Department of English Literature m_ph na 2012-07 graduation