A biography of Ulpian Fulwell and a critical edition of The Art of Flattery(1576)

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Buchanan81PhD2.pdf

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Buchanan81PhD1.pdf

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indexcodes.txt

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http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/17604 http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/17604 http://eprints.org/relation/isIndexCodesVersionOf http://etheses.bham.ac.uk/id/document/17604 archive 4031 disk0/00/00/31/11 2012-01-13 11:28:05 2019-01-23 09:55:34 2012-01-13 11:28:05 thesis show 0 Buchanan Roberta Wells Stanley W. 1930- ftp://ubira.bham.ac.uk/eTheses/3111_Buchanan/ University of Birmingham A biography of Ulpian Fulwell and a critical edition of The Art of Flattery(1576) unpub PR 40fac_art The thesis consists of a biography of Ulpian Fulwell (1546-1586) and a critical edition of The Art of Flattery (1576). The biography contains new material derived from documents at the Public Record Office and the Gloucester Diocesan Registry, giving new information on Fulwell's family background and his career as a clergyman. It is argued that the conflict between the townspeople of Wells and the Cathedral clergy provides the background and impetus for Fulwell's satire in The Art of Flattery. The critical edition of The Art of Flattery outlines the printing history of the book and discusses the variants between the first and second editions, and between the two copies of the first edition. The identification of the Archdeacon of Wells attacked in the Fifth Dialogue is attempted. The Literary Introduction sets Fulwell's satirical dialogues in the context of Lucian, the colloquies of Erasmus, and the English Renaissance dialogues of More, Elyot and Ascham. A critical analysis of the work traces its form to the bipartite structure of classical verse satire, with its confrontation between Author and Adversarius. 1981 1980 graduation 246737 eng The art of flattery by Ulpian Fulwell uobscanned Scanned by Hollingworth & Moss This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. public 760 University of Birmingham School of English, Drama and American & Canadian Studies, The Shakespeare Institute d_ph na 1981 graduation