Shakespeare and the thirties: representations of the past in contemporary performance

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http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/15388 http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/15388 http://eprints.org/relation/isIndexCodesVersionOf http://etheses.bham.ac.uk/id/document/15388 archive 4031 disk0/00/00/28/55 2011-10-13 09:25:49 2019-01-23 09:54:58 2011-10-13 09:25:49 thesis show 0 Rogers Jami McLuskie Kathleen Alexander Catherine University of Birmingham Shakespeare and the thirties: representations of the past in contemporary performance unpub DA PN0080 PN0441 PN1993 PN2000 10col_artl This thesis examines the performance history of Shakespeare focusing on those productions performed as a period analogue of the nineteen-thirties. It engages with the material in two ways. It first attempts to locate influences that have led to the development of this style of performance, finding correlations with both theatrical and televisual drama. It then examines the productions as performed, focusing on the construction of scenography and actor performances. Throughout the analysis, this thesis engages with shifts in the representation of the historical past on both stage and screen. 2011-07 2011-05 graduation eng author unchecked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. public 329 University of Birmingham School of English, Drama and American & Canadian Studies, The Shakespeare Institute d_ph na 2011-07 graduation