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http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/3912 http://eprints.org/relation/ispreviewThumbnailVersionOf http://etheses.bham.ac.uk/id/document/3912 http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/3912 archive 4031 disk0/00/00/17/66 2011-07-07 14:52:33 2019-01-23 09:54:49 2011-07-19 16:40:59 thesis show 0 Meikle Katherine Elizabeth Griffiths Elystan University of Birmingham unpub B1 JC BH PT DD 10col_artl The thesis explores political and aesthetic concerns in Grillparzer’s historical dramas König Ottokars Glück und Ende, Ein treuer Diener seines Herrn and Ein Bruderzwist in Habsburg. The thesis argues that Grillparzer’s political, philosophical and aesthetic views are linked. Grillparzer was no reactionary, but rather a perceptive and critical observer of his age. He was far from an unconditional supporter of the repressive Habsburg government, but rather an advocate of the universal values of the multinational state. Grillparzer’s central themes in these plays include leadership and power, the interplay of public and private spheres and ethical concerns of justice and morality. Grillparzer aimed through drama to observe, reflect on and appraise the social and political changes underway in the transitional and turbulent nineteenth century. Grillparzer’s investigation into the psychological complexities of human nature is linked to broader philosophical and historical debates. In the form and content of the historical dramas, Grillparzer illustrates the unwieldiness and unpredictability of history as well as revealing his pessimistic view of human progress. Grillparzer presents irrational, disruptive elements as inherent in human nature and shows how they continually obstruct and inhibit human potential. Nevertheless, Grillparzer continues to propound humanitarian values. 2011-07 2010-09 graduation eng author unchecked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. public 101 University of Birmingham School of Languages, Cultures, Art History and Music, Department of Modern Languages m_ph na 2011-07 graduation