Madness, badness, sadness: Aldous Huxley and the shifting shadow of psychoanalysis

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http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/3759 http://eprints.org/relation/ispreviewThumbnailVersionOf http://etheses.bham.ac.uk/id/document/3759 http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/3759 archive 4031 disk0/00/00/16/39 2011-06-20 15:42:28 2019-01-23 09:54:34 2011-07-19 16:39:37 thesis show 0 Sidaway Adam James Ellis Steve 1952- University of Birmingham Madness, badness, sadness: Aldous Huxley and the shifting shadow of psychoanalysis unpub PR BF 10col_artl The influence of Freud on Huxley’s fiction has been frequently understated in criticism. Examining key periods both in history and in Huxley’s life, this thesis reassesses the long-held critical belief that Freud was frequently dismissed by Huxley as ‘bunk’, instead proposing that psychoanalysis was in fact one of Huxley’s major and most enduring intellectual obsessions. Whilst engaging with some of his major novels, this thesis is also concerned with the short stories and novellas that have received rather less critical attention, collectively revealing both the depth and nature of Huxley’s obsession with the concepts of psychoanalysis. This thesis is a radical revision of this contested facet of criticism, proposing that Freud and psychoanalysis were never the subject of satirical attack, but were instead weapons in the satirical artillery against a post-war society that grew increasingly neurotic. 2011-07 2011-01 graduation eng author unchecked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. public 76 University of Birmingham School of English, Drama and American & Canadian Studies, Department of English Literature m_ph na 2011-07 graduation