Monet at the Savoy Hotel and the London fogs 1899-1901

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http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/3620 http://eprints.org/relation/ispreviewThumbnailVersionOf http://etheses.bham.ac.uk/id/document/3620 http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/3620 archive 4031 disk0/00/00/15/55 2011-05-16 09:57:20 2019-01-23 09:54:24 2011-07-19 16:38:14 thesis show 0 Khan Soraya Farah Thornes John E Baker Jacob University of Birmingham Monet at the Savoy Hotel and the London fogs 1899-1901 unpub ND GE 10col_life Over the past decade, there has been an ever increasing interest in the relationship between weather and climate and how they are portrayed artistically. The representations of skies, atmosphere, weather, climate and climate change through a variety of artistic media have been considered thus far (Eliasson 2003; Olson et al 2004, Kunz et al 2005; Thornes 1999, 2008a, 2008b). Furthermore, there have been a number of studies that have contemplated the use of environmental art as a form of proxy data for past weather, air pollution and climate change (Lamb 1967; Neuberger 1970; Brimblecombe and Ogden 1977, Baker and Thornes 2006 and Zerefos et al 2007). Monet’s series paintings can be considered as another example of art representing aspects of the weather and climate, for example, when Monet painted his scenes of London, he would include the sun when it was visible or a representation of the sun when it was obscured, trying to illustrate the atmosphere, and thus the weather, in his paintings. However, Monet also reworked many of his canvases with the intention of reflecting how the atmosphere appeared on specific days from year to year, therefore it seems it could be concluded that Monet was consciously painting the climate of London as well as the weather. For this reason, the opportunity to deconstruct Monet’s representations of the skies in his London Series (1899-1905) could not have come at a better time. 2011-07 2011-01 graduation eng This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. public 349 University of Birmingham School of Geography, Earth and Environmental Sciences d_ph na 2011-07 graduation