The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay.

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http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/3301 http://eprints.org/relation/ispreviewThumbnailVersionOf http://etheses.bham.ac.uk/id/document/3301 http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/3301 archive 4031 disk0/00/00/13/40 2011-02-17 10:34:23 2019-01-23 09:53:58 2011-07-19 16:33:33 thesis show 0 Sladen Anna AES975@bham.ac.uk Waters Steven Dale Stephanie University of Birmingham The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay. unpub N1 DA NX 10col_artl The Sometime Husband of Three Katherines, Two Annes and One Jane is a retelling of the Six Wives of Henry VIII story through memory and confrontation with the past. Kate, Katherine, Kitty, Anne and Anna are brought out of their graves into the modern world by Jane, who is trapped in an underground vault with an unpredictable Henry. As they travel through London they come into contact with us and are in turn entranced and appalled at the extent of change and the discovery of what they have become. They each value their freedom differently; Katherine believes she is bound by duty, Kate is on a personal quest to find her fourth husband, Anne and Kitty are desperate to make the most of their escape, and Anna attempts to make herself fit. Back in the vault Jane is about to give up waiting when the others arrive. On discovering that it was Jane who freed them, they are less than pleased. Each woman attempts to reconnect with Henry, drawing on their pasts and what they have learnt on their journey, but Henry resists their efforts to explain, or even forgive. They leave him, and are seen, months later, preparing to perform to a modern audience at the Tower of London. 2011-07 2010-09 graduation eng author unchecked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The University of Birmingham public 121 University of Birmingham School of English, Drama and American & Canadian Studies m_ph other 2011-07 graduation