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http://eprints.org/relation/isVolatileVersionOf http://etheses.bham.ac.uk/id/document/2930 http://eprints.org/relation/ispreviewThumbnailVersionOf http://etheses.bham.ac.uk/id/document/2930 http://eprints.org/relation/isVersionOf http://etheses.bham.ac.uk/id/document/2930 archive 4031 disk0/00/00/11/33 2010-11-24 09:49:28 2019-01-23 09:53:33 2011-07-19 16:30:28 thesis show 0 Joiner Robert Clifford ftp://ubira.bham.ac.uk/eTheses/1133_Joiner/ University of Birmingham unpub PN2000 10col_artl Feb 2013: Author changed from option A to C. These Forces Of Violence It is Saturday night, again. The curtains are drawn, the door is locked and an old couple watch TV, the husband counting the minutes until he and his wife are ‘officially tired’ and the night can begin properly. But someone is coming tonight at 10 o’clock who will turn this Saturday night into Sunday morning for the first time in a long time. And that which had stopped will start again, in another time and another place. Critical Analysis In this essay I attempt a rationale for the play. I look at its origins, the use of several dramatic conventions (specifically story and plot, time and space andcharacter) and I reflect on the creative process. 2010-12 2010-07 graduation eng author unchecked This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. restricted 105 University of Birmingham School of English, Drama and American & Canadian Studies, Department of Drama and Theatre Arts m_ph FALSE na 2010-12 graduation