Good writers borrow, great writers kill: the evolution of the thriller genre in thesis play \(Author\)

Lara, Ashley (2014). Good writers borrow, great writers kill: the evolution of the thriller genre in thesis play \(Author\). University of Birmingham. M.Res.

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Abstract

My thesis play \(Author\) is an evolution of the thriller play. I studied the history of the thriller genre, outlining a brief journey from the ancient plays of Greece and Rome, the tragedies of William Shakespeare, and the whodunnits and melodramas of the 1800s and 1900s. I examined the pre-existing plays \(Sleuth\) by Antony Shaffer and \(Deathtrap\) by Ira Levin, using them as case studies of models of the stage thriller and showing how they influenced the literary genre in the 1970s, creating a new form called \(post-modern\) \(comedy\) \(thrillers\). These two plays were essential in the drafting process of \(Author\), serving as guides on how to effectively use and subvert the conventions of the thriller genre to evolve the art form through \(double-coding\). The development of Author from first draft to the Playwrights’ Workshop featured poignant changes, specifically in the use of unreliable narration, that illustrate the continued evolution of the thriller onstage.

Type of Work: Thesis (Masters by Research > M.Res.)
Award Type: Masters by Research > M.Res.
Supervisor(s):
Supervisor(s)EmailORCID
Grace, FraserUNSPECIFIEDUNSPECIFIED
Licence:
College/Faculty: Colleges (2008 onwards) > College of Arts & Law
School or Department: School of English, Drama and American & Canadian Studies, Department of Drama and Theatre Arts
Funders: None/not applicable
Subjects: P Language and Literature > PN Literature (General)
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
URI: http://etheses.bham.ac.uk/id/eprint/5388

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