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Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Number of items at this level: 121.

A

Abdullah, Nurul Farhana Low Bt. (1999) Revenge tragedy and identity. M.Phil. thesis, University of Birmingham.

Adamthwaite, John Stephen (2011) The gate with critical analysis. M.Phil. thesis, University of Birmingham.

Amsden, Lucy Catherine Emery (2011) Philippe Gaulier’s contribution to clown theatre; traces and manifestations. M.Phil. thesis, University of Birmingham.

Anderson, Sarah (1980) The concept and process of dramatic adaptation, derived from a study of modern adaptations of Shakespeare's plays. Ph.D. thesis, University of Birmingham.

B

Baldwin, Victoria Marie (2009) 'Look for the truth and tell it': politics and Harold Pinter. M.Phil. thesis, University of Birmingham.

Baynham, Matthew Fred (2000) Holy Trinity and villainous multiplicity in the Christian shape of Macbeth. M.Phil. thesis, University of Birmingham.

Beecher, D. A. (1972) Ben Jonson's Sejanus: historiography and the political tragedy. Ph.D. thesis, University of Birmingham.

Bose, Sarika Priyadarshini (1999) Women as figures of disorder in the plays of Oscar Wilde. Ph.D. thesis, University of Birmingham.

Box, Carolyn (2011) Exchanges and innovation: creative collaborations with Shakespeare by British and Irish dramatists, 1970-2010. Ph.D. thesis, University of Birmingham.

Burden, Emily Caroline Louise (2007) Pre-Victorian prudery: the family Shakespeare and the birth of Bowdlerism. M.Phil. thesis, University of Birmingham.

Burg, Jason Ashmore (2013) Contemporary productions of medieval English drama. M.Phil. thesis, University of Birmingham.

Burns, Teresa Catherine (2010) A full length play:‘Sounds like Home’ and accompanying critical analysis. M.Phil. thesis, University of Birmingham.

C

Chigwende Gangaidzo, Lorna (2011) Father's Day. M.Phil. thesis, University of Birmingham.

Clifford, Catherine Rebecca (2013) Performance spaces in English royal palaces, 1509 – 1642. Ph.D. thesis, University of Birmingham.

Cockin, Janet Mary (2003) Shakespeare's use of the Christian dimension in four major tragedies, and its dramatic effect on early audiences. M.Phil. thesis, University of Birmingham.

Cockin, Norman (1980) Post-war productions of Hamlet at Stratford-upon-Avon 1948-1970. M.A. thesis, University of Birmingham.

Cole, Serenah (2012) Charity. M.Phil. thesis, University of Birmingham.

Cooper, Zoe (2010) Your gaze hits the side of my face. M.Phil. thesis, University of Birmingham.

D

Dai, Lisi (2012) The Chinese Little Theatre movement from 1980s to present. M.Phil. thesis, University of Birmingham.

E

Egan, Gabriel (1997) Two 'transitional' late plays at the Globe : an evaluation of the scholarship of Globe reconstruction and its bearing on the original staging of Shakespeare's The Winter's Tale and Cymbeline. Ph.D. thesis, University of Birmingham.

F

Felderhof, Benedick Crawford (2011) Youth against experience: a play for the stage in two acts. M.Phil. thesis, University of Birmingham.

Foakes, R. A. (1952) Imagery in Elizabethan and Jacobean drama: suggestions for a new approach. Ph.D. thesis, University of Birmingham.

Foakes, R. A. (1949) The Revenger's Tragedy and The Atheist's Tragedy: some notes on their style and on the authorship problem. M.A. thesis, University of Birmingham.

Foster, Shari Lynn (2013) Strange bedfellows? Visual media use and intermediality in Shakespeare productions. M.Litt thesis, University of Birmingham.

Frost, Robert James (1983) The Shakespearean performances of Sir John Gielgud. Ph.D. thesis, University of Birmingham.

Fusillo, Robert J. (1966) The staging of battle scenes on the Shakespearean stage. Ph.D. thesis, University of Birmingham.

G

Garafalo, Sanner (2013) ‘Most wonderful!’: a contextual study of twinship in early modern drama and Shakespeare’s plays. Ph.D. thesis, University of Birmingham.

George, Jack Ross Robert (2010) An original script for the stage – Case 121: The Shadowless Corpse plus accompanying essay. M.Phil. thesis, University of Birmingham.

Georgopoulou, Xeni (2000) 'World's exile': feigned death and rebirth in Romeo and Juliet and The Winter's Tale. M.Phil. thesis, University of Birmingham.

Gibson, Joy Leslie (1994) Squeaking Cleopatras? Shakespeare's boy players. M.Phil. thesis, University of Birmingham.

Gibson, Joy Leslie (2006) Status and stages: an examination of the function of costume in Elizabethan and Jacobean plays. M.Litt. thesis, University of Birmingham.

Gleave, Joanne (2012) The reciprocal process of the site and the subject in devising site-specific performance. M.Phil. thesis, University of Birmingham.

Green, Lawrence C. (1999) The uses of pageantry: pageantry as production style in revivals of Shakespeare's second tetralogy on the English stage in the twentieth century. Ph.D. thesis, University of Birmingham.

H

Hale, Florence (1920) The influence of Latin drama on Elizabethan drama. M.Res. thesis, University of Birmingham.

Hannay, Zelda Franzeska (2013) The ‘rhetoric’ of devising: a critical study. M.Phil. thesis, University of Birmingham.

Hartwell, Jonathan William (2004) 'Skill in the construction' dramaturgy, ideology, and interpretation in Shakespeare’s late plays. Ph.D. thesis, University of Birmingham.

Heasman, Michael Kenneth (2010) Rocks! (Are Hard To Care For). M.Phil. thesis, University of Birmingham.

Hill, David Arthur (2012) A distrust of tradition: the study, performance and reception of Shakespeare in England in a context of social, political and technological change, 1919-1939. M.Litt thesis, University of Birmingham.

Hill, Neville V.L. (1949) Some aspects of the style of John Webster : a study of The duchess of Malfi and The white devil. Ph.D. thesis, University of Birmingham.

Holland, Claire (2014) The Chinese fur trade in theatre: Made in China & responsive critical understanding. M.Res. thesis, University of Birmingham.

Hollis, Gavin Russell (2000) Stage directions: Shakespeare's use of the map. M.Phil. thesis, University of Birmingham.

J

Jackson, Russell Bennett (1971) "Cymbeline" in the nineteenth century. M.Res. thesis, University of Birmingham.

Jackson, Russell Bennett (1975) Pictorial Shakespeare, 1880-1890: a study of major London productions. Ph.D. thesis, University of Birmingham.

Jeffery, Heather Margaret (2010) Developing a play: A dance for Leningrad. M.Phil. thesis, University of Birmingham.

Joiner, Robert Clifford (2010) These forces of violence: final submission play and critical analysis. M.Phil. thesis, University of Birmingham.

K

Kekis, Olga (2013) Contemporary Antigones, Medeas, and Trojan Women perform on stages around the world. Ph.D. thesis, University of Birmingham.

Kennedy, Patrick, John (2012) The American Evolution Acting praxis and The Cherry Orchard: the role of Stanislavsky and emotion in the rehearsal methods of Lee Strasberg and Stella Adler. M.Phil. thesis, University of Birmingham.

Kingsley-Smith, Jane Elizabeth (1999) Banishment in Shakespeare's plays. Ph.D. thesis, University of Birmingham.

Knott, Sue Marilyn (1998) Competing discourses of love and sexuality in the relationships between men and women in Renaissance drama. Ph.D. thesis, University of Birmingham.

L

Lewis, David (2010) Home Storage and critical analysis. M.Phil. thesis, University of Birmingham.

Lines, Sarah (2010) The stick in the swill bucket and critical essay. M.Phil. thesis, University of Birmingham.

Lloyd, Jonathan (2013) Full length play: Monster-Truck-Parts and essay: Does Monster-Truck-Parts mark the end of ‘new writing’? M.Phil. thesis, University of Birmingham.

Long, Hilary Edith W (2000) 'Acting good parts well': Sir Ian McLellan in Shakespeare. Ph.D. thesis, University of Birmingham.

M

Macphee, Wendy Jean (1996) Arcana in Shakespeare's comedies with specific reference to 'The Comedy of Errors' and 'A Midsummer Night's Dream'. Ph.D. thesis, University of Birmingham.

Maley, Claire Frances (2011) A critical essay and original play entitled ‘the canary and the piano’. M.Phil. thesis, University of Birmingham.

Markus, Zoltan (1993) "Foolery, sir, does walk about the orb like the sun": fool-characters and comic dramatic structures in Hamlet, Twelfth night and Troilus and Cressida. M.Phil. thesis, University of Birmingham.

Maskew, Helen Patricia (2009) Shakespeare and the Earl of Warwick: the kingmaker in the Henry VI trilogy. Ph.D. thesis, University of Birmingham.

Masuo, Kishiko (1997) The two Japanese productions of Macbeth: Akira Kurosawa's Throne of Blood and Yukio Nevagawa's Ninaga Wa's Macbeth. M.Phil. thesis, University of Birmingham.

McDonald, Anmarie (2010) She is Rhodesia. M.Phil. thesis, University of Birmingham.

Miles, Natasha Frances (2011) The baroque guitar as an accompaniment instrument for song, dance and theatre. M.Phil. thesis, University of Birmingham.

Mitschke, Samantha (2010) Writing and developing a play: from initial idea to final draft & Roses on the wire. M.Phil. thesis, University of Birmingham.

Morris, Charlotte Lowri (2011) Cuckoo: critical analysis and full-length play. M.Phil. thesis, University of Birmingham.

Mullender, Jacqueline E. (2011) Shakespeare’s late syntax: a comparative analysis of which relativisation in the dramatic works. Ph.D. thesis, University of Birmingham.

Murphy, Jenny (2012) An investigation into the intraorganisional climate that contributes to the development and sustainability of dance companies involving people with learning difficulties. M.Phil. thesis, University of Birmingham.

Muthy, Nessah Aisha (2012) Pickaninny: a full length play with an accompanying critical analysis. M.Phil. thesis, University of Birmingham.

N

Nagase, Mariko (2012) Literary editing of seventeenth-century English drama. Ph.D. thesis, University of Birmingham.

Newman, Harry Rex (2012) Impressive Shakespeare: sexual identity and impressing technologies in Shakespearean drama. Ph.D. thesis, University of Birmingham.

Newman, Jo (2012) The phenomenology of non-theatre sites on audience. M.Phil. thesis, University of Birmingham.

Noble, Alexandra Helene (2007) Social convention and performance choices in three interpretations of Lady Macbeth: Sarah Siddons (1755-1832), Helen Faucit (1814-1898), and Ellen Terry (1847-1928). M.Phil. thesis, University of Birmingham.

O

O'Connor, John (1999) Shylock: a performance history with particular reference to London and Stratford-upon-Avon 1879-1998. Ph.D. thesis, University of Birmingham.

Oram, Yvonne (2002) Older women in Elizabethan and Jacobean drama. Ph.D. thesis, University of Birmingham.

Orfanou, Niki (2010) Odds and Clocks. M.Phil. thesis, University of Birmingham.

Orford, Peter Robert (2006) Rewriting history: exploring the individuality of Shakespeare's history plays. Ph.D. thesis, University of Birmingham.

P

Polydorou, Elena Maria (2011) The reception of Federico Garcia Lorca and his rural trilogy in the UK and Spain after 1975. M.Phil. thesis, University of Birmingham.

Poulter, Dean (2014) Jarrow Slake and Fulfilling action through character, language and time. M.Res. thesis, University of Birmingham.

Prag, Miranda Kathleen (2011) The Wilderness: an original stage play and critical analysis. M.Phil. thesis, University of Birmingham.

Price, Eoin (2014) The politics of privacy and the English public stage, 1575-1642. Ph.D. thesis, University of Birmingham.

R

Rahman, Abigail (2013) What remains, an original play, accompanied with Shaping the story: establishing the world of the play through dramatic structure. M.Phil. thesis, University of Birmingham.

Reading, Kerrie Leanne (2013) The guided tour in the under-celebrated urban space. M.Phil. thesis, University of Birmingham.

Richardson, Patricia (2004) The monstrous in Shakespeare. M.Litt. thesis, University of Birmingham.

Robertson, Jack (2014) Dislocation in the dramatic text: writing the family drama in the 21st century and For Want of a Better Word. M.Res. thesis, University of Birmingham.

Rogers, Jami (2011) Shakespeare and the thirties: representations of the past in contemporary performance. Ph.D. thesis, University of Birmingham.

S

Sanderson, John Russell (1975) The Elizabethan and Jacobean two-part play: a study of the composition and structure of dramatic sequels. Ph.D. thesis, University of Birmingham.

Sato, Yumi (1991) The Duchess of Malfi at Stratford. M.Phil. thesis, University of Birmingham.

Schnabel, Stephanie Michaela (2012) Narrative strategies in Shakespearean productions on twenty-first-century European stages. M.Litt. thesis, University of Birmingham.

Semerciyan, Silva Elizabeth Satenik (2010) I and the village: critical essay. M.Phil. thesis, University of Birmingham.

Seo, Dong Ha (2011) Military culture of Shakespeare's England. Ph.D. thesis, University of Birmingham.

Shanson, Esther (2011) A critical analysis of The Nature of Things. M.Phil. thesis, University of Birmingham.

Singleton, Brian Robert (1988) The interpretation of Shakespeare by Ariane Mnouchkine and the Theatre du Soleil. Ph.D. thesis, University of Birmingham.

Smith, Gwendoline P. Vingoe (2004) The making of Shakespeare's genius. M.Litt. thesis, University of Birmingham.

Soares dos Santos , Marlene (1980) Theatre for Tudor England: an investigation of the ideas of Englishness and foreignness in English drama c.1485 - c.1592, with particular reference to the interludes. Ph.D. thesis, University of Birmingham.

Steele, Jeffrey Callaway (2009) The fascination of evil: mental malpractice in Shakespearean tragedy. Ph.D. thesis, University of Birmingham.

Steinmetz-Ardaseer, Yvonne (1999) The creative reception of William Shakespeare in the Netherlands: the case of Arthur Van Schendel. M.Litt. thesis, University of Birmingham.

Steinmetz-Ardaseer, Yvonne (1994) The importance of the subplot as a convention in English Renaissance drama. M.Phil. thesis, University of Birmingham.

Stephenson, Graham (2012) Stanislavski and postmodernism. M.Phil. thesis, University of Birmingham.

Stone, David M. (1987) Pericles on the English stage 1900-1984. M.Phil. thesis, University of Birmingham.

Symons, Abigail (2014) Losing it. M.Phil. thesis, University of Birmingham.

T

Tan Cheong Kheng, Alvin (1999) Postmodern elements of theories and practice in the collaborative works of the necessary stage, Caryl Churchill and the Wooster group. M.Phil. thesis, University of Birmingham.

Tanswell, Grace (2011) A documentation and critical reflection of my original script, “With New Eyes”, from original concept to its submitted form. M.Phil. thesis, University of Birmingham.

Thomas, Lindsey Catherine (2010) Shakespeare productions in England 1909-1932 and the visual arts: the work of Ricketts, Wilkinson, Lovat Fraser and Shelving. Ph.D. thesis, University of Birmingham.

Thomas, Lisa (2010) Grace of God, an original work for the theatre and a critical analysis of the play and its development. M.Phil. thesis, University of Birmingham.

Toothill, Matt (2013) The stages of celebrity. M.Phil. thesis, University of Birmingham.

Trevenna, Natasha (2010) Material into narrative & Cane Island. M.Phil. thesis, University of Birmingham.

Troupp, Lotte (1992) A moral idea of language in Shakespeare’s The Tempest. Ph.D. thesis, University of Birmingham.

Tsai, Shangrong (2014) Living heritage: intangible heritage in performing arts in Taiwan. Ph.D. thesis, University of Birmingham.

Tyler, Daniel James (2012) Federico García Lorca’s ‘impossible’ theatre staged. M.Phil. thesis, University of Birmingham.

Tyler, Lucy (2010) ‘Current Regimes’ a play and critical analysis. M.Phil. thesis, University of Birmingham.

W

Waldemarson, Ivar (2008) ‘The glassworks’ with critical analysis. M.Phil. thesis, University of Birmingham.

Walker, Sarah Lucy (2012) Analysing the importance of creating a distinctive rehearsal process and innovative final performance in relation to the Director's vision for the play. M.Phil. thesis, University of Birmingham.

Walls, M. (1986) The Renaissance hermetic tradition in Shakespeare’s plays. M.Res. thesis, University of Birmingham.

Ward, Shane (2014) Some Specimen & Critical essay: the secret life of Some Specimen. M.Res. thesis, University of Birmingham.

White, Joseph (2012) Phoenix: play and critical essay. M.Phil. thesis, University of Birmingham.

Whitmire, Kendra Ann (2012) The uses of Shakespeare on American TV 1990-2010. M.Phil. thesis, University of Birmingham.

Wild, Megan Clare Farrell (2011) The House of Dante's Dream. M.Phil. thesis, University of Birmingham.

Williams, Daniel (2012) The Corrigan brothers. M.Phil. thesis, University of Birmingham.

Williams, Margaret Ellen (1992) 'A play is not so ydle a thing': the dramatic output and theatre-craft of Nathan Field. Ph.D. thesis, University of Birmingham.

Wilmann, Craig (2014) The picture of John Gray: with accompanying essay. M.Res. thesis, University of Birmingham.

Wilson, Anna Elizabeth (2010) Performance, theatre and identity in twenty‐first century Barcelona: The transnational theatre of Javier Daulte. M.Phil. thesis, University of Birmingham.

Wilson, Rowena Catherine (2010) A critical analysis investigating the process of a playwright with reference to Jellyfish, an original work for the stage. M.Phil. thesis, University of Birmingham.

Y

Yamada, Akihiro (1976) Bibliographical studies in the plays of George Chapman. Ph.D. thesis, University of Birmingham.

Yin, Winifred Wei-fang (1992) A nightmare for a century? 'Two Gents' at Stratford. M.Phil. thesis, University of Birmingham.

This list was generated on Wed Jul 23 05:20:16 2014 IST.