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Download StatisticsEl-Turk, Bushra (2018). Bleeding through… compositional processes in the integration of Middle Eastern and Western art music. University of Birmingham. Ph.D.
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El-Turk17PhD_Commentary.pdf
PDF - Accepted Version Download (1MB) |
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El-Turk17PhD_Dramaticule_IV.pdf
PDF - Accepted Version Download (493kB) |
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El-Turk17PhD_Lisaniki.pdf
PDF - Accepted Version Download (444kB) |
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El-Turk17PhD_Mannequin_Losses_for_Hermes_Ensemble.pdf
PDF - Accepted Version Download (210kB) |
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El-Turk17PhD_Mawwal.pdf
PDF - Accepted Version Download (225kB) |
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El-Turk17PhD_Murmurations.pdf
PDF - Accepted Version Download (665kB) |
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El-Turk17PhD_SilkMoth.pdf
PDF - Accepted Version Download (600kB) |
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El-Turk17PhD_Tanit.pdf
PDF - Accepted Version Download (248kB) |
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El-Turk17PhD_Taqsim_aala_Taqsim_(solo_cello).pdf
PDF - Accepted Version Download (215kB) |
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El-Turk17PhD_Tmesis.pdf
PDF - Accepted Version Download (661kB) |
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El-Turk17PhD_Zwareeb.pdf
PDF - Accepted Version Download (337kB) |
Abstract
This thesis consists of a portfolio of 10 compositions accompanied by a written commentary with audio and video recordings of my works. These compositions span a wide variety of instrumentations from large orchestral works to solo instrumental works, of both Western and Eastern traditions, as well as vocal and live art installation pieces.
Throughout the commentary I explore the continuum of how Eastern traditional idioms and Western art music play a role in the creation of my musical language. This includes an overview of the history of bi-cultural integration and an exploration of the motivations for integrating musics, both in my own work and that of other composers. I explore particular parameters within my works, focusing on the spectrums between composition and improvisation, the concepts of translation and transcription and collaborative practice with Western classical and musicians of Eastern traditional music. Additionally, I examine how my application of Eastern musical parameters and techniques are filtered through four of my other interests and influences: namely, my development of a gestural and timbral language which stems from an engagement with my approach to pitch and harmony.
| Type of Work: | Thesis (Doctorates > Ph.D.) | ||||||
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| Award Type: | Doctorates > Ph.D. | ||||||
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| College/Faculty: | Colleges (2008 onwards) > College of Arts & Law | ||||||
| School or Department: | School of Languages, Cultures, Art History and Music, Department of Music | ||||||
| Funders: | Arts and Humanities Research Council | ||||||
| Subjects: | M Music and Books on Music > M Music | ||||||
| URI: | http://etheses.bham.ac.uk/id/eprint/7900 |
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