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Rocks! (Are Hard To Care For)

Heasman, Michael Kenneth (2010)
M.Phil. thesis, University of Birmingham.

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Abstract

Rocks! (Are Hard To Care For) is a character-driven comedy drama about people abruptly shaken out of their taken-for-granted routines and forced to consider what and who it is they really care about in their lives. It is a play about the existential clash between permanence and impermanence, people literally stuck between a rock and a hard place. The two Act play finds Mark, in his 40s, at the epicenter when his safe, predictable life routine is shattered as his relationship with his wife Molly collapses and his boss Derek sacks him. He appears to find redemption in a new relationship with Susan who is constructing a Rock Peace Garden, a ‘mini-Grand Canyon’, as a monument to her late husband. All four characters confront their personal inertia and isolation to ‘get a grip’ on their lives. A consistent challenge in the playwriting process has been structure and genre. The focus of the essay preceding the play, therefore, is a reflection on and critical analysis of issues connected to this aspect of playwriting. The essay analyses the play within the broader context of comedy drama and investigates dramaturgical, genre, and structural issues through considering characterization, stylized elements, and the rewriting of different drafts.

Type of Work:M.Phil. thesis.
Supervisor(s):Waters, Steven
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Department of Drama and Theatre Arts
Subjects:PN2000 Dramatic representation. The Theater
Institution:University of Birmingham
ID Code:640
This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder.
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