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'Paragonarmi meco medesimo': Immagine e memoria in Leopardi

Cori, Paola (2010)
Ph.D. thesis, University of Birmingham.

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The aim of this thesis is to show the importance of memory in Giacomo Leopardi’s Canti and Zibaldone, not only as a theme for his poems and a source of theoretical speculation, but as a modelling structure of his writing. Following the first chapter on Leopardi and the philosophy of memory from Locke to the first half of the nineteenth century, chapter II investigates the self-referential perspective implicit in the recurrence of certain images in the Canti, and its consequences for the structure of the book, both in the Piatti and the Starita editions. Chapter III, focusing on the concept of clarity, demonstrates the importance and effect of Leopardi’s reading and re-reading of the Zibaldone, and shows the constant presence of a habit memory which acts through repetition, binds together demonstrative thoughts, and is responsible for their expansion. The second part of this chapter highlights Leopardi’s search for perfect images and their mnemonic power, as well as their general influence on the text. Leopardi’s knowledge of the phenomenology of memory is reflected in the text and offers an insight into the strong links in his works between thinking and writing as a whole.

Type of Work:Ph.D. thesis.
Supervisor(s):Caesar, Michael
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Italian Studies
Subjects:PB Modern European Languages
Institution:University of Birmingham
ID Code:487
This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder.
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