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Telepathy and the Visual in the Late Novels of Henry James

Horn, Paul Matthew Austin (2009)
M.Phil. thesis, University of Birmingham.

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This thesis addresses the tripartite relationship between telepathy, the visual and in the psychologically complex late novels of Henry James, with particular focus on The Wings of the Dove (1902), The Ambassadors (1903), and The Golden Bowl (1904). It acknowledges that significant research has been done into telepathy (Thurschwell 2001; Luckhurst 2002) and the visual (Crary 1990; 1999) in fin de siècle studies, but also that further insight can be accessed by bringing the two areas of enquiry together and considering their collective import. By juxtaposing non-literary materials from the fields of psychical research and visual culture, and situating them together within the work of James, I attempt to excavate parts of patterns of thought in the period compassing the end of the nineteenth century and the dawning of the twentieth. My work is especially concerned with revealing the slipperiness of the borderlines between three dualisms: observation and imagination, subject and object, and the verbal and the visual. A chapter is dedicated to each. Reading James in this innovative way allows me to conclude by situating his late novels within an extended milieu of literary antecedents, particularly in terms of their debt to the older fictional trope of sympathy

Type of Work:M.Phil. thesis.
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:School of English, Drama and American and Canadian Studies
Subjects:PR English literature
Institution:University of Birmingham
ID Code:384
This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder.
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