Tyler, Daniel James (2012)
M.Phil. thesis, University of Birmingham.
This study explores the relatively unknown area of Federico García Lorca’s theatre work which he himself termed ‘impossible’ and ‘unperformable’. With the director’s task of preproduction research in mind, the study examines biographical research as well as focusing discussion on Lorca’s experimentation – as playwright and director – with different artistic styles and techniques seen as ground-breaking in his own time which pre-empted much modern theatre practice. Analysis of primary sources provides a widespread overview of Lorca’s dramatic work: his better-known plays, ‘impossible’ plays, dramatic dialogues and fragments of incomplete pieces as well as interviews and speeches.
|Type of Work:||M.Phil. thesis.|
|School/Faculty:||Colleges (2008 onwards) > College of Arts & Law|
|Department:||Department of Drama and Theatre Arts, School of English, Drama, American and Canadian Studies|
PN2000 Dramatic representation. The Theater
|Institution:||University of Birmingham|
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