Urquhart, Frances Elizabeth (2011)
M.Phil. thesis, University of Birmingham.
Deliberately difficult, intentionally irritating, Dada exploded into the world as a reaction to the horrors of modernity within war-torn Europe, and is often written off as nihilistic, destructive, or mad. Despite its frequent association with negativity, Dada’s unrivalled energy and complex relationship to mindsets continue to fascinate, demonstrable by the movement’s enduring position as a subject of academic research, and its constant presence at exhibitions in museums and galleries worldwide. This thesis explores Dada in relation to artistic suicide, based on the premise that, despite its nihilism, the movement’s ultimate goal was the proposition of a radical new alternative identity and, further, that Dada constitutes an eternally relevant redefinition of humanity. This premise is investigated via three themes regarding the development and projection of identity: self-image, self-awareness, and selfreflection, through manifestations of Dada expression in relation to twentieth-century identity-based discourses. Through the analysis of the visual work of Sophie Taeuber Arp and Marcel Duchamp, the films of Hans Richter and Man Ray, and collaborative avant-garde reviews, an assessment of the geographic and temporal development of the Dada personality will provide the basis for new insights into the suicidally creative tendencies of Dada as a movement.
|Type of Work:||M.Phil. thesis.|
|School/Faculty:||Colleges (2008 onwards) > College of Arts & Law|
|Department:||School of Languages, Culture, Art History and Music, Cultural Inquiry|
|Subjects:||D501 World War I|
DL Northern Europe. Scandinavia
HS Societies secret benevolent etc
|Institution:||University of Birmingham|
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