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The changing practice of Methodist worship 1958-2010

Lyons, Andrew Hamilton (2011)
Ph.D. thesis, University of Birmingham.

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Over the second half of the 20th Century and the beginning part of the 21st Century, major change has occurred in the worship practice of many churches. Within this time frame enormous change has occurred in the social, economic, political, technological, scientific and religious framework of British society. Worship practice has been influenced by these changes. This doctoral dissertation sets out to explore how British Methodist worship has changed over the same time period.

The focus of this dissertation is on change in the practice of non-Eucharistic worship in British Methodism. This is the form of worship practiced most frequently in the British Methodist Church. It examines the form, content, style and ordering of worship and explores how the very ethos of worship has altered.

In this time period there has been expressed discontent about worship. This thesis examines what the Liturgical Movement has promoted as a way toward renewal of worship, and explores how British Methodism might appropriate from the Liturgical Movement ideas and lessons that would aid the renewal of worship in the Methodist Church.

Type of Work:Ph.D. thesis.
Supervisor(s):Burns, Stephen and Stringer, Martin D.
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Department of Theology and Religion
Subjects:BT Doctrinal Theology
BV Practical Theology
Institution:University of Birmingham
ID Code:3062
This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder.
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