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Analysis of five works by Herbert Howells, with reference to features of the composer’s style

Ward, Martin John (2006)
M.Phil. thesis, University of Birmingham.

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As much research into Herbert Howells to date has focused on the historical aspects of his life and works, the prime intention of this study is to reveal more about Howells’ compositional processes. With this in mind there are two focuses that enable this investigation. Firstly, the analysis of five contrasting works, providing an understanding of how each composition is constructed. These works are Elegy for Viola, String Quartet and String Orchestra, Blessed are the Dead, Hymnus Paradisi, Take Him, Earth, for Cherishing and Stabat Mater. The second objective is the identification of the more important fingerprints of Howells’ musical style. This will cover harmonic, rhythmic, and melodic features, as well as matters relating to orchestration.

Type of Work:M.Phil. thesis.
Supervisor(s):Rodmell, Paul
School/Faculty:Schools (1998 to 2008) > School of Humanities
Additional Information:

The musical examples are not reproduced in this web version of the thesis

Keywords:Herbert Howells, Herbert Howells’ style, Elegy, Blessed are the Dead, Hymnus Paradisi, Take Him Earth for Cherishing, Stabat Mater
Subjects:M Music
Institution:University of Birmingham
Library Catalogue:Check for printed version of this thesis
ID Code:236
This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder.
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